Le colloque Performing Medieval Text aura lieu les 10 et 11 mai 2013 à Merton College, Oxford. Son but est de faire se rencontrer enseignants-chercheurs et étudiants de troisième cycle autour du thème de "l'interprétation" (performance) des textes, de la musique et de l'art au Moyen Age. Les conférences plénières seront présentées par Dr Florence Bourgne (Paris-Sorbonne) et Prof. Franz Körndle (Augsburg); un concert sera donné par Ensemble Leones (dir. Marc Lewon).
Pour de plus amples détails et informations (logement, inscription)
http://www.mod-langs.ox.ac.uk/performingmedievaltext/
Provisional Conference Schedule
Unless otherwise noted, all programme points will take place at the TS Eliot Lecture Theatre, Merton College. Friday, 10 May
10:00–11:00
Registration with Tea&Coffee
11:00–11:15
Welcome Address
11:15–12:45
Panel Session 1: Performing Song in Context
13:00–14:00
Lunch [University Club]
14:45–16:30
Panel Session 2: Performance: Concept, Context, Genre
16:30–16:50
Tea&Coffee break
17:00–18:00
Manuscripts at Merton with Dr Julia Walworth
18:15–19:30
Keynote Address by Prof. Franz Körndle
20:00–21:15
Concert: Ensemble Leones [Merton College Chapel]
21:30–22:30
Reception [Merton College MCR] Saturday, 11May
09:00–10:30
Panel Session 3: Manuscripts as Performance
10:30–10:45
Tea&Coffee break
10:50–12:00
Keynote Address by Dr Florence Bourgne
12:00–12:15
Tea&Coffee break
12:15–13:45
Panel Session 4 and Concluding Remarks: Performance Transformed Panel Session 1 Performing Song in Context
Dr Almut Suerbaum
Annemari Ferreira, Tið, Tiðindi: The Phenomenology of Skaldic Poetry in Egils Saga
Jennifer Rushworth, The Psalms and Dante’s Purgatory
Moritz Kelber, Advenisti desiderabilis: Emperor Charles V as the Saviour of True Faith
Panel Session 2
Performance: Concept, Context, Genre
Dr Sophie Marnette and Dr Helen Swift
Uri Smilanski, The Multi-Dimensional Text: A Thought Experiment Around Machaut's De Bonté, de Valour (V10)
Matthew Cheung Salisbury, Performance, Performativity, and the Medieval Liturgical Act
Steffen Hope, The King’s Liturgical Image
Panel Session 3
Manuscripts as Performance
Dr Jessica Berenbeim
Sophie Burton, Archiving Chant: Triplet Masses in Benevento, Biblioteca Capitolare MS 40
Rachel Sullivan, Performing Manuscripts: Rhyme Braces in Medieval Play MSS
Jack Hartnell, Embodied Bodies: Performing Medieval Surgery and Performing Medieval Art History
Panel Session 4
Performance Transformed
Prof. Elizabeth Eva Leach
David Bowe, Who Performs the Siren Song? Performative Reading and Writing in Purgatorio XIX
Francisca Gale, Adaptation and the Problem of Performance: Wolfram's Solution in Parzival?