Talk of repair has become ubiquitous in recent years. In the age of trauma culture, art and literature have a new purpose: to do justice, to console, comfort, and heal. Drawing on works of twenty-first-century French-language literature, this monograph shows how literature can not only serve as a means of "personal development", but expand our capacity for empathy, help repair the "brokenness" implied in victimhood, and redress individual and collective traumas. Centered on a critical reflection on discourses of repair (and reparations), it questions the canonical theories on the functions of literature and proposes a new way of writing (and reading) literary history.
Traduction en anglais de Gefen, A., Réparer le monde. La littérature française face au XXIe siècle (Corti, 2017).
Praise
"Repair the World is an invigorating and essential call to arms. The modern category of the literary, it declares, is being outpaced by the contemporary uses of literature: as a medium of exorcism, empathy, reparation, testimony, commemoration, existential renewal, and ethical or political connectivity. Neither celebrating nor condemning such uses, Gefen models a much-needed style of criticism – interdisciplinary, pragmatic, relational – that comes to grips with their importance."– Rita Felski, the John Stewart Bryan Professor and Professor of English at the University of Virginia (USA)"
In an era where self-help, memoir, and autobiography command more than their fair share of publisher’s lists in France, it’s tempting, some fifty years after post-structuralism’s heyday, to ascribe an impending ‘death of literature’ to a taste for narcissistic exhibitionism in French literary culture. But why bemoan the waning relevance of the question ‘what is literature?,’ asks Alexandre Gefen, when evidence abounds in the new century that literary writing increasingly posits itself as a restorative, reparative act? In the best instances, authors who give form to embodied experience imaginatively forge with their readers empathetic bonds of the sort that secular and religious institutions long sustained. Repair the World is not only a capacious study of writers who hail from surprisingly broad sectors of French society, from health and social workers to skilled laborers, journalists, and educators; it’s a situated call for a pragmatics of reading that makes of each book an intervention into the fabric of the real. Harnessing sources in affect theory, trauma studies, ethics, and cognitive science, Alexandre Gefen performs a critically reparative act all his own, reminding us that the notion of literature as autonomous object was itself a historical construct, in short: an ideology. Reading and writing have always conjoined care for the self and care for others, and it’s upon that reciprocity that the communities of sense of tomorrow can flourish in a spirit of reparative humanism".– Derek Schilling, Professor of French, Director of the Centre Louis Marin, Department of Modern Languages and Literatures, Johns Hopkins University (USA)"
Alexandre Gefen’s wide-ranging, thought-provoking study takes stock of a paradigm shift in contemporary French literature, away from a model of autonomy and intransitivity to ways of writing and reading that seek to repair, restore, reassure, and rebuild. From the varied forms of expressivity found in self-narratives to the empathetic projections of fiction, Repair the World maps out an expanding literary territory that seeks not critical negativity but rather the power to intervene for good in individual and collective life. While reserving judgment on the actual extent of literature’s effects, Gefen demonstrates that contemporary projects and discourses undeniably center the therapeutic and remediative uses of literature. With its nuanced readings and keen insights, Repair the World has been rightly influential in France; its powerful diagnosis of contemporary sensibilities resonates far beyond, revealing both the promises and predicaments of literature in the twenty-first century".– Alison James, Professor of French and Chair of the Department of Romance Languages and Literatures at the University of Chicago (USA)