Joanne Findon, Bound and Free. Voices of Mortal and Otherworld Women in Medieval Irish Literature

Otherworld women feature in a number of medieval Irish tales. They are not always powerful figures, and their struggles often mirror those of mortal women; authors apparently found them useful for exploring social tensions and issues of contemporary concern. This volume analyzes female figures as literary characters, rather than as mythological beings, focusing on their expression of emotions and the repercussions for the societies depicted in the narratives. Drawing on gender analysis, speech act theory, narratology, disability theory, and trauma theory, and incorporating recent work on emotions in medieval literature, this study probes the representation of both mortal and Otherworld women as active and desiring subjects and the responses that their words and actions might have generated in their medieval audiences.

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Table of Contents

Introduction

Part One: Mortal Women

CHAPTER ONE
Mother Knows Best: The Role of Nes in Compert Conchobuir
CHAPTER TWO
Fate, the Feminine, and the Flawed King: Conchobor, Deirdriu, and Luaine
CHAPTER THREE
A Woman’s Last Word: Emer’s Construction of the Hero in Brislech Mor Maige Muirthemni

Part Two: Otherworld Women

CHAPTER FOUR
A Good (Mortal) Man is Hard to Find: Otherworld Women and Bad Romance
CHAPTER FIVE
What She Wants: Female Desire and Agency in Tain Bo Froich and Aislinge Oenguso
CHAPTER SIX
The Grieving Otherworld Woman in Serglige Con Culainn, Aided
Derbḟorgaill, and Acallam na Senorach
CHAPTER SEVEN
Aided Derbḟorgaill and the Otherworld Body: Shape-Shifting and
Disability
CHAPTER EIGHT
Dangerous Siren or Abandoned Wife? Gloss versus Text on a Manuscript Page

Conclusion 
Bibliography
Index