Women, Memory & Transmission Postcolonial Perspectives from the Arts and Literature
Conference

Monday 18 October 2021, 09 am - 06 pm (BST)

Maison Française d’Oxford, 2-10 Norham Rd, Oxford OX2 6SE  

Convened by Justine Feyereisen (Ghent University) and Elisa Moris Vai

Keynote Speaker: Deborah Willis (New York University - Tisch School of the Arts)

With the artists Heather Agyepong, Mohini Chandra, Kama La Mackerel, Ingrid Pollard, Erika Tan and Jasmine Togo-Brisby
And the scholars Deniz Gundogan Ibrisim, Emma Parker, Jenni Ramone, Alan Rice, Amanda Tavares and Antonia Wimbush

Watch live here: https://youtu.be/mMpaezMGlO8

A limited audience will also be invited to attend. Registration via Eventbrite. 

In collaboration with Photo Oxford Festival 2021, hosted by the Maison Française d’Oxford, and supported by the Humanities Cultural Programme, the international and interdisciplinary Conference “Women, Memory & Transmission: Postcolonial Perspectives from the Arts and Literature” will explore what it means for women to transmit memories in postcolonial contexts. What strategies do women develop to tackle postcolonial issues? What are the issues to address and the struggles to lead to be heard and valued as tellers of History? What ethical and political issues does the reception of their works raise? The conference will bring together art-world figures and scholars in the fields of gender studies, memory studies, postcolonial studies, and Global South studies to adequately contribute to show how the Humanities can lead to a better awareness of the key social and political role of women in reinterpretation of colonial History as acts of resistance and empowerment.

The conference will coincide with a photographic exhibition by Elisa Moris Vai, showcased during the 2021 Festival at the Maison Française d’Oxford (15 Oct. – 15 Nov.). The French photographic artist Elisa Moris Vai will present her series Catherine, Kiambé, Surya. The exhibition shows her photographic response to three female characters in La Quarantaine (1995) and Révolutions (2003), set in Mauritius, by Nobel Prize J.M.G. Le Clézio. The images closely intertwine fiction and reality, literature and photography, to better understand how the transmission of memory can be a tool of resistance and empowerment by women in postcolonial contexts. The exhibition is curated by Pelumi Odubanjo.

Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.
In partnership with TORCH, Fluxus, Maison Française d'Oxford, Photo Oxford 2021, Wolfson College (Oxford) and Association des Lecteurs de J.-M.G. Le Clézio.

Please note, this conference is hybrid. Some speakers will join online while others will be physically at the MFO.