Cahiers victoriens et édouardiens, n° 86 : "Performing, Translating, and Adapting from the French in Victorian Britain"

Cahiers victoriens et édouardiens, n° 86, Automne 2017 :

"Performing, Translating, and Adapting from the French in Victorian Britain"

coordonné par Ignacio Ramos-Gay

Presses Universitaires de la Méditerranée, 2017.

À lire en ligne : https://cve.revues.org

Sommaire :

Ignacio Ramos-Gay
Introduction: Performing, Translating, and Adapting from the French in Victorian Britain

Rocío G. Sumillera
The Myth of Don Juan Onstage up to and through Victorian Times

Ana Fernández-Caparrós Turina
Rise of Love and the People: French Matter and Manner in the Early Victorian Drama of Edward Bulwer-Lytton

Juan Manuel Ibeas Altamira
Madame de Genlis on the Victorian Stage

Barbara T. Cooper
Translating French Drama for English Audiences: Adolphe Belot’s L’Article 47

Violaine Heyraud
Tempering Feydeau: Twisting and Guilty Pleasures on the London Stage (1893-1897)

Claudia Alonso Recarte
Canine Actors and Melodramatic Effects: The Dog of Montargis Arrives on the English Stage

Catherine Quirk
The French Actor on the London Stage: Charles Fechter

Ignacio Ramos Gay
'What a perennial delight is in hearing the French language spoken!’: Class, Language and Taste in the Maison de Molière’s French Performances in London (1871–1893)

Erin Dunbar
Subtle Instrument of Music’: Translating the Sound and Appearance of Decadence in Wilde’s Salomé

Eduardo Valls Oyarzun
Unpleasant Operas or French Music Drama as Heard by Corno Di Bassetto

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