The Drama of Celebrity
Sharon Marcus
Princeton U.P.
ISBN: 9780691177595
Published: 06/25/2019
Pages: 328
Why do so many people care so much about celebrities? Who decides who gets to be a star? What are the privileges and pleasures of fandom? Do celebrities ever deserve the outsized attention they receive?
In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.
Drawing on scrapbooks, personal diaries, and vintage fan mail, Marcus traces celebrity culture back to its nineteenth-century roots, when people the world over found themselves captivated by celebrity chefs, bad-boy poets, and actors such as the “divine” Sarah Bernhardt (1844–1923), as famous in her day as the Beatles in theirs. Known in her youth for sleeping in a coffin, hailed in maturity as a woman of genius, Bernhardt became a global superstar thanks to savvy engagement with her era’s most innovative media and technologies: the popular press, commercial photography, and speedy new forms of travel.
Whether you love celebrity culture or hate it, The Drama of Celebrity will change how you think about one of the most important phenomena of modern times.
Sharon Marcus is the Orlando Harriman Professor of English and Comparative Literature at Columbia University. She is a founding editor of Public Books and the author of the award-winning Between Women: Friendship, Desire, and Marriage in Victorian England (Princeton) and Apartment Stories: City and Home in Nineteenth-Century Paris and London.
*
On peut lire sur laviedesidees.fr un article sur cet ouvrage :
"Naissance des stars", par Alain Chenu (en ligne le 27 décembre 2019)
L’intérêt pour les célébrités structure en profondeur les sociétés contemporaines. Pour Sharon Marcus, les « stars » apparaissent au XIXe siècle dans le secteur du théâtre, et le cas Sarah Bernhardt permet de caractériser le type de rapport qui se noue alors entre médias, publics et célébrités.