Interpreting Susan Sontag’s Essays
Radical Contemplative
Mark K. Fulk
ISBN 9780367757144
Routledge
238 Pages
£104.00
PRESENTATION
Interpreting Susan Sontag’s Essays: Radical Contemplative offers its readers a scholarly examination of her essays within the context of philosophy and aesthetic theory. This study sets up a dialogue between her works and their philosophical counterparts in France and Germany, including the works of Hannah Arendt, Jacques Derrida, Roland Barthes, and Walter Benjamin. Artists and concepts discussed in relation to Sontag’s essays include the works of Andy Warhol, Pop Art, French New Wave Cinema, the music of John Cage, and the cinematic art of Robert Bresson, Leni Riefenstahl, Ingmar Bergman, and Jean-Luc Godard. Her aesthetic formalism is compared with Harold Bloom, and this is the first volume to examine her late works and their position within the American events of 9/11/01 and the War on Terror(ism).
Table of Contents:
Introduction: "Sontag, the Essay Form, and Modernism"
Chapter One: "Sontag after Freud: The Genesis of ‘Against Interpretation’"
Chapter Two: "Sontag, Bloom, and the Autonomy of the Aesthetic"
Chapter Three: "Sontag’s Film Criticism: Bresson, Riefenstahl, Godard"
Chapter Four: "On the (Violence of the) Photographic Image"
Chapter Five: "Sontag and Illness Degree Zero"
Chapter Six: "Crisis in the Polis: Sontag, Arendt, and the Nature of Eulogy"
Chapter Seven: "Sontag and Derrida after 9/11/01: American Democracy (and Beyond)"