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M. Page, The City's End. Two Centuries of Fantasies, Fears, and Premonitions of New York's Destruction

M. Page, The City's End. Two Centuries of Fantasies, Fears, and Premonitions of New York's Destruction

Publié le par Bérenger Boulay

Max Page, The City's End. Two Centuries of Fantasies, Fears, and Premonitions of New York's Destruction, Yale University Press, sept. 2008, 280 p


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  •  ISBN: 9780300110265
  • ISBN-10: 030011026X

Présentation de l'éditeur:


From nineteenth-century paintings of fires raging through New York City to scenes of Manhattan engulfed by a gigantic wave in the 1998 movie Deep Impact, images of the city's end have been prolific and diverse. Why have Americans repeatedly imagined New York's destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book is the first to investigate two centuries of imagined cataclysms visited upon New York, and to provide a critical historical perspective to our understanding of the events of September 11, 2001.

Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York's development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era's destruction genre has reflected the city's economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans' perceptions of New York and of cities in general.

Max Page is associate professor of architecture and history, University of Massachusetts, Amherst. He is a 2003 Guggenheim Fellow and author of The Creative Destruction of Manhattan, which received the 2001 Spiro Kostof Award of the Society of Architectural Historians. He lives in Amherst.

Table:


one Beauty and Terror 1
two “Horrors Were Their Delight”: Terrifying and 
Thrilling Wars at Home and Invasions from Abroad 23
three Utopian and Dystopian Fantasies of the “Stone Colossus” 
in the 1920s and 1930s 61
 four “Falls Rome, Falls the World”: Atomic Fears of the 
1940s and 1950s 101
five Escape from New York: Fictions of a 
City's Decline and Rebirth 143
six The Future of the City's End: 
New York and Its Fantasies After 9/11 199
Notes 233
Acknowledgments 257
Illustration Credits 261
Index 263