Sonya STEPHENS [dir.], Esquisses / ébauches. Projects and Pre-Texts in Nineteenth-Century French Culture, New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, Peter Lang, 2007, 237 p.
ISBN 978-0-8204-7896-8
RÉSUMÉ
Esquisses/ébauches assembles a cast of international scholars to debate the role of the esquisse (the sketch) and the ébauche (the lay-in or the draft) in the works of key nineteenth-century French writers and artists. These new readings, with their wide-ranging approaches to the question of the finished work, uncover a cultural context in which forms of the unfinished become privileged and highlight both the existence of an esthetic of the unfinished and an emerging poetics of process.
TABLE DES MATIÈRES
Sonya Stephens: Introduction - Mariane Bury : Le statut de l'ébauche dans le discours critique au 19e siècle : le cas des Pensées de Pascal - Wendelin Guentner: The « Démon de la vitesse »: Technology, Subjectivity and the Sketch - Isabelle Daunais : L'oeuvre et son avenir : abstraction et révélation de l'image au XIXe siècle - Sonya Stephens: Painting (in) the Studio: Artful Unfinishedness? - Catherine Neci : Le feuilleton de Delphine de Girardin : poétique et politique du chiffon - Michael Tilby : « Ainsi l'ébauche vécut...» : du croquis au récit romanesque au seuil de la Comédie humaine - John West-Sooby : Débauches en ébauche : la vie marginale de Lamiel - Anne Green : Sous Napoléon III de Flaubert : ébauches abandonées? - P. M. Wetherill : Ebauches multiples et contradictoires - Jacques Neefs : Couper, copier, coller : les dossiers de Bouvard et Pécuchet - Timothy Unwin: Jules Verne and the History of the Universe - Rosemary Lloyd : Notes sur quelques carnets de Jules Laforgue - Rachael Langford: The Political Sketch? Jules Vallès's Use of the Pictorial in the Jacques Vingtras Trilogy - Mary Donaldson-Evans: From Ebauche to Débauche: Fleshing out a Baudelairean Sketch in Maupassant's Fiction - David Baguley : (D)ébauches zoliennes : les « rogatons » des Rougon-Macquart - Kate Tunstall: « Une sorte d'idylle dans la Halle » : From ébauche to débauche in Le Ventre de Paris - Jean-Pierre Leduc-Adine : Zola, Le Sémaphore de Marseille (17 février 1871 - 24 mai 1877), ou un « dossier préparatoire » aux Rougon-Macquart ? - Nicholas White: Narrative Closure and the Question of Divorce in Late-Nineteenth-Century Fiction - Roger Pearson : « Une inaptitude délicieuse à finir » : Mallarmé and the orthography of incompletion - John House: Impressionist Painting: esquisse or ébauche?
À PROPOS DE L'AUTEUR
Sonya Stephens is Professor of Modern French Literature and Culture at Royal Holloway, University of London. She received her Ph.D. in French from the University of Cambridge. She has published widely on Baudelaire and nineteenth-century French culture and is the author of Baudelaire's Prose Poems: The Practice and Politics of Irony. She is also the editor of A History of Women's Writing in France and XIX Journal of the Society of Dix-Neuviémistes. She is currently working on her next book, The Art of the Unfinished: Representing Process in Nineteenth-Century France.