Référence bibliographique : Aisthesis. Pratiche, linguaggi e saperi dell’estetico, FUP, 2016. EAN13 : 20358466(online).
Aisthesis. Pratiche, linguaggi e saperi dell’estetico
Vol 9, No 2 (2016)
Pietro Conte, Filippo Fimiani, Michel Weemans (eds.)
Je est un autre. Mimicries in nature, art and society
"By investigating mimetism as a fundamental and polymorphic aesthetic performance, this issue of «Aisthesis» aims to rethink the concept, value, and function of mimesis and its media in the context of camouflage, simulation, and dissimulation, where images do not reveal themselves as such, but are to be perceived unambiguously as what they are not – as hieroglyphs or puzzles. In the animal kingdom, as well as in war or in ordinary public life, camouflage consists in taking on the traits, colours, and shapes of a given form or environment. This is a twofold process: on the one hand, by blending two or more shapes in one, the camoufleur seeks to remain hidden and to mislead the others in order to keep a vital secret or an ephemeral whim; on the other hand, however, he/she aims to be recognized by a specific milieu or group, thus betraying a craving for communication and familiarity, as well as a need to convey an agreeable appearance and to share a way of life."
Foreword
Pietro Conte, Filippo Fimiani, Michel Weemans
Camouflage élargi. Sur l’individuation esthétique
Bertrand Prévost
L’estetica del camuffamento animale. Riflessioni sul mimetismo biologico
Valeria Maggiore
Setting the Stage for Deception. Perspective Distortion in World War I Camouflage
Roy R. Behrens
Il camouflage nel campo allargato.
Maite Méndez Baiges
Aesthetics of Fake. An Overwiew
Andrea Mecacci
Animal Flicker
Érik Bullot
Reflections on Imitation, vocal Mimicry, and Entrainment
Anton Killin
Protée et Caméléon.
Mimétismes, calembours harmoniques et dissociation des formes dans la musique de la Renaissance
Brenno Boccadoro
«Être comme tout le monde». Per un’archeologia classicista del mimetismo sociale
Giancarlo Alfano
Mimicry, Ekphrasis, Construction. «Reading» in Freudian Psychoanalysis
Markus Klammer
Copie che sono solo la mia (con una nota di Filippo Fimiani)
Luigi Trucillo
Varia
Clement Greenberg e la Halakah del Modernismo
Camilla Froio
The Quest for “Authenticity”. Three Performances of a Bach’s Fugue compared
Tiago Morais Ribeiro de Sousa
Through the Flat Canvas: The Motor Meaning of realistic Paintings
Silvano Zipoli Caiani
Reviews & Reports