ATeM (Archives Texte et Musique), n° 7-2 (2022) : "Entangled Histories and Voices. Popular Music & Postcolonial Approaches"

Entangled Histories and Voices. Popular Music & Postcolonial Approaches,

dirigé par Gianpaolo Chiriacò, Gerhild Fuchs et Birgit Mertz-Baumgartner

• Entangled Histories and Voices: An Introduction

  Gianpaolo Chiriacò, Gerhild Fuchs, Birgit Mertz-Baumgartner
  • PDF (ENGLISH)

POSTCOLONIAL ROUTES AND ENTANGLED HISTORIES

• Transcultural and Transnational Connections in Neapolitan Song during the Colonial Period. Raffaele Viviani’s “‘O tripulino napulitano” (1925) as Case Study

  Isabella Abbonizio
  • PDF (ENGLISH)

• “Semba Dilema”: On Transatlantic Musical Flows between Angola and Brazil

  Nina Baratti
  • PDF (ENGLISH)

• “Chillu soldate, come chiagneva”. La questione coloniale negli archivi sonori italiani

  Giovanni Chiriaco
  • PDF (ITALIANO)

• La musica tradizionale Makhuwa (Nord del Mozambico) fra contaminazioni e resistenze. Uno sguardo decoloniale

  Luca Bussotti, Laura António Nhaueleque
  • PDF (ITALIANO)

TRANSCULTURAL PERSPECTIVES ON HIP HOP AND REGGAE

• Non ‘stranieri’, ma ‘straneri’: hip hop, G2 e sensibilità diasporica in Italia

  Paola Attolino
  • PDF (ITALIANO)

• Immaginari e rappresentazioni della transculturalità attraverso le voci rap/trap dei ‘nuovi italiani’

  Cecilia Ridani
  • PDF (ITALIANO)

• ‘Boom-ch-boom-chick’: Entangled (Hi)stories in the German Mainstream Rap of 2018 and 2019

  Bernhard Steinbrecher
  • PDF (ENGLISH)

• International and Italian Reggae as a Tool of Counter-narrative: Songs and Lyrics on the Colonial Experience in Ethiopia

  Renato Tomei
  • PDF (ENGLISH)

OUTRO

• ‹ Entanglement ›. Réflexions artistiques sur un concept historique. Napoleon Maddox, Lino et Rocé et l’histoire transnationale

  Birgit Mertz-Baumgartner
  • PDF (FRANÇAIS (FRANCE))