Arts et Savoirs, n° 6 : "Women’s portraits of the self. Representing knowledge and making identity in early modernity"
Référence bibliographique : Arts et Savoirs, Arts et Savoirs, 2016. EAN13 : 2258093X.
Le numéro 6, Women’s portraits of the self. Representing knowledge and making identity in early modernity , sous la direction de Caroline Trotot et Natania Meeker, vient de paraître dans la revue Arts et Savoirs.
Pour consulter ce numéro, suivre ce lien: https://aes.revues.org/696.
Au sommaire:
Caroline Trotot
Introduction
Humanist knowledge and practices of resistance
Cathy Yandell
The Dialogic Body and the Humanist Woman in the Self-Portraiture of Catherine des Roches
Colette H. Winn
The Martyr Queen. Constructions of Identity in Mary Stuart’s Last Letters
Caroline Trotot
The Memoirs of Marguerite de Valois. Experience of Knowledge, Knowledge of Experience
Hélène Bah Ostrowiecki
“Ignorant and intractable”. Elisabeth in her Letters to Descartes
Michael A. Soubbotnik
Self-Portrait of a Lady as an Absent Latinist. Lucy Hutchinson and the Recording of Encounter and Loss
Thomas M. Carr Jr.
Jansenist Women Negotiate the Pauline Interdiction. The Case of the Would-Be Nun, Marie-Catherine Homassel Hecquet
Painting the self: craft, skills, knowledge
Natania Meeker et Antónia Szabari
Inhabiting Flower Worlds: The Botanical Art of Madeleine Françoise Basseporte
Catriona Seth
“What Do I Know? Who am I?” Self-Portraits and the Literature of Intimacy in the Eighteenth Century”
Marie-Emmanuelle Plagnol
Fragmented and Oblique Autobiographies and Memoirs. The Case of Madame de Genlis
Melissa Hyde
« Peinte par elle-même? » Women artists, teachers and students from Anguissola to Haudebourt-Lescot
Séverine Sofio
“Portrait of the Artist at Work”. Painting Self-Portraits in Late Eighteenth-Century France