Paragraph, vol. 31, no 3 (novembre 2008)

Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and figures in modern critical theory.

Vol. 31, no 3 (novembre 2008)

Katherine Fry

Elaboration, Counterpoint, Transgression: Music and the Role of the Aesthetic in the Criticism of Edward W. Said

This article examines the role of the aesthetic in the criticism of Edward Said through a reading of two lesser-explored texts, Musical Elaborations (1991) and On Late Style (2006). It explores how, by drawing upon ideas from Gramsci and Adorno, Said advocates a convergence of social and aesthetic approaches to musical analysis and criticism. Although critical of some of the tensions arising from Said's varying perspectives on music and society, the article suggests that we can nonetheless detect a distinctive ideology of the aesthetic in Said's writings on music. It argues that Said's ideas on the temporal or narrative structure of certain musical works or performances function, within his wider thinking, as an aesthetic paradigm for undermining fixed identity and linear or totalizing narratives. Thus Said's reflections on music do not simply retreat from social and political concerns, but rather elaborate a utopian thinking regarding the interface between criticism and the aesthetic.

Shari Goldberg

From Quietism to Quiet Politics: Inheriting Emerson's Antislavery Testimony

While Ralph Waldo Emerson has been increasingly acknowledged as an American thinker influential in the evolution of nineteenth-century philosophy, his essays have largely failed to escape the charges of quietism and political apathy bestowed upon them in his lifetime. Yet if Emerson insisted on the importance of silence to the antislavery movement, it was perhaps due to his theory that one's deepest obligations become involuntarily part of the self and thus refuse to withstand representation in direct speech. My article reads Emerson's writing in this light, suggesting more broadly that the common notion that silence and politics are antithetical be reconsidered with regard to the possibility that what constitutes political speech need not be explicit — or even vocal.

Christopher Johnson

Analogue Apollo: Cybernetics and the Space Age

This article re-examines some of the principal concepts of cybernetics — control, communication, feedback — and its preoccupation with the ‘coupling' of human and machine in an increasingly automated world. Historically, the rise of cybernetics coincides with the so-called Space Age, where the kind of computerized control systems theorized in cybernetics were essential to the guidance and operation of the complex machinery required to place humans and machines in space. Taking the Apollo programme as a paradigmatic case of accelerated technological evolution, the article looks at aspects of the human-machine relationship in Apollo and more specifically at the modes of interface — ‘analogue' and ‘digital' — which mediated that relationship. Despite a certain humanism of control which posits the human agent as the ultimate instance of perception, decision and action, it is argued that the evolutionary tendency detectable in the Apollo programme is towards the progressive marginalization, or ‘redundancy', of the human agent.

Maria Scott

Lacan's ‘Of the Gaze as Objet Petit a' as Anamorphic Discourse

This article makes the case for a symmetry between the form and content of Lacan's 1964 seminars on vision in The Four Fundamental Concepts of Psychoanalysis. As well as theorizing anamorphosis, or visual resistance, as a model of the dialectic between the eye and the gaze, the seminars function to lure and frustrate their auditor-readers. This reading, supported by Lacan's references to his own discourse as a labyrinth and network of threads, shows how a policy of syntactic ambiguity and apparent contradiction seems to inform the logic of the seminars on vision, such that the gaze defies understanding as surely as it resists the eye. The article proposes that this structure of mise-en-abyme, discussed as hypnotic even within the discourse on the gaze, is designed to captivate auditor-readers. Elements within the seminars, as well as Lacan's ‘post-face' to the published edition, suggest that the discourse is addressed to our unconscious.

William Watkin

The Materialization of Prose: Poiesis versus Dianoia in the work of Godzich & Kittay, Shklovsky, Silliman and Agamben

This article presents a critical theory of the medium of ‘normative' prose. Relying on the work of critics of poet's prose and the philosophy of Badiou and Nancy, it commences by defining prose ostensibly as the immaterial and thus invisible dianoia or discursive other to the radically material poeisis. The essay then attempts to trace a brief history of critical attention paid to prose to uphold and further develop this thesis. Using the poeticized prose of Ron Silliman's Tjanting as an exemplary, contemporary text the remainder of the article delineates the three elements of prosaic immateriality. The first is the predominance of the role of deixis in prose as the very act of referring to reference itself devoid of actual referents in the world, the moment of the predominance of prose as normative according to Godzich and Kittay. The second is the attempt by automatized prose discourse to occlude its alterity and the role of poetic alienation in revealing this automatization as a political/ideological construct. This is traced back to the formalism of Shklovsky and then reconsidered in the Language poetics of Ron Silliman's own theorization of the New Sentence as that which resists automatized syllogistic cohesion. Thirdly, the paper looks at the significant incursions in the field by one of the key contemporary thinkers, Giorgio Agamben. Analysing Agamben's theory of prose as the collapse of poetic semiotic singularity into semantic generality, I finish with a consideration of how Silliman's work resists this very gesture in an attempt to create a permanently materialized prose that resists being relegated to dianoia or the prose of generalized connections.

Sophie Fuggle

Negotiating Paul: Between Philosophy and Theology

Mark Robson

An Other Europe