

Why do writers read literature?
How do they reinvent the past?
Do writers and scholars agree on the history of literature?
Academic literary history, written by professors and scholars, has experienced its autonomous development, both as a discipline and as a genre, from the end of the 19th Century, and its advancement has been widely researched. In contrast, not much attention has been paid to an alternative history of literature, which is told by the authors themselves. However, writers, just as scholars, keep producing histories of literature. In their works just as in their writings or interviews on their works, they give shape to their collective venture, create genealogies and invent precursors, in a global construction which can either complement or compete with the “official” scholarly history.
The purpose of this colloquium is to examine the literary history of writers – writerly literary history vs. scholarly literary history – as a creative one, that is, to analyze the formative role of this other literary history and literary memory for literature itself, for literature in progress.
This conference is part of an international program conducted by the group research "Littératures françaises du XXe siècle" at Paris IV-Sorbonne University.
More on: www.fabula.org/hle
Friday, October 26, Morning Session
8:30 Registration
9:00 Welcoming Remarks, Pierre Force, Chair, Department of French and Romance Philology
Introduction, Antoine Compagnon, Collège de France and ColumbiaUniversity, and Vincent Debaene, ColumbiaUniversity
Memory and Invention
9:30 Judith Schlanger, Hebrew University, Jerusalem
“L'écrivain devant le temps des écrivains”
10:15 Sylvia Molloy, New YorkUniversity
“Disparate Libraries, Erratic Scribes: Borges and Literary History”
11:00 Bruce Robbins, ColumbiaUniversity
“Too Much Information: The Ambitions of the Contemporary American Novel”
Friday, October 26, Afternoon Session
Forms
2:00 Michel Murat, Université Paris IV-Sorbonne
“L'histoire littéraire, sujet de roman”
2:45 Michael Wood, PrincetonUniversity
“If on a Winter's Night a Theorist...”
3:30 Break
3:45 Marielle Macé, CNRS, Paris
“‘Nous attendons un roman qui sera…'”
4:30 Ann Banfield, University of California, Berkeley, and Julien Piat, Université Grenoble III
“‘Proust's Pessimism' as Beckett's Counterpoison”
6:00 Plenary Session
Assia Djebar, de l'Académie française, New York University
“Étrangère... de l'intérieur”
Saturday, October 27, Morning Session
Positions: Case Studies I
9:00 William Marx, Université d'Orléans, Institut universitaire de France
“Une fiction critique : le classicisme selon T. S. Eliot”
9:45 David Damrosch, ColumbiaUniversity
“The Road to London Goes through Paris: Literary Métissage in Eliot and Walcott”
10:30 Break
10:45 Ann Jefferson, New College, OxfordUniversity
“L'histoire littéraire et la formation du lecteur chez Nathalie Sarraute”
11:30 Jacques Lecarme, Université Paris III-Sorbonne Nouvelle
“Vie littéraire et histoire littéraire : le cas Léautaud”
Saturday, October 27, Afternoon Session
Interventions: Case Studies II
2:00 Edward Mendelson, Columbia University
“Anthologies as Histories: W. H. Auden's Tendentious Tables of Contents”
2:45 Souleymane Bachir Diagne, Northwestern University
“L. S. Senghor et la révolution de 1889”
3:30 Break
3:45 Didier Alexandre, Université Paris IV-Sorbonne
“Le roman américain dans l'histoire du roman français (1930-1960)”
4:30 Elisabeth Ladenson, ColumbiaUniversity
“Nabokov's Canon”
5:30 Plenary Session
Edmund White
“The Novelist as Biographer”
A conversation with Antoine Compagnon and Elisabeth Ladenson
6:15 Reception at the Maison française
La Construction de l'histoire littéraire. Séminaire, ENS-EHESS
Fictions queer. Brice Dellsperger et Marie Canet autour de Body Double
La TEI entre dévotion et libertinage : analyse de structure de textes du XVIIe siècle
« Révolutions de l’animation à l’ère postmoderne »
Les entretiens de Po&sie : "Poésie et ruine"
Séminaire Valéry : Valéry et le cinéma
Les voies de la créolisation. Retour sur Edouard Glissant
Labyrinthe. Miniatures et expansions du labyrinthe dans la littérature et les arts
Traduction : politiques et stratégies de la glottopolitique
Quand l'interprétation s'invite dans la fiction II, XIXe-XXIe s.
Balzac présociologue (4e journée)
Leçon pratique d'Anthropologie Théâtrale
Rencontre philo 4/4 Jean LAUXEROIS: "Théâtre grec et philosophie : le site et le non-lieu"
François René de Chateaubriand-André Malraux : deux anti-destins face à l'histoire
Cortesia. Olhares e (re)invenções - Politesse. Regards et (ré)inventions
Rousseau 300: Nature, Self, and State
J. Rancière, conférence : La Politique de la fiction
Langue et littérature - repères identitaires en contexte européen