KRAJENBRINK, Marieke et Kate M. QUINN (dir.), Investigating Identities. Questions of Identity in Contemporary International Crime Fiction, Amsterdam / New York, Rodopi (Textxet. Studies in Comparative Literature), 2009, 348 p.
ISBN 978-90-420-2529-5
RÉSUMÉ
nvestigating Identities: Questions of Identity in Contemporary International Crime Fictionis one of the relatively few books to date which adopts a comparativeapproach to the study of the genre. This collection of twenty essays byinternational scholars, examining crime fiction production from over adozen countries, confirms that a comparative approach can both shedlight on processes of adaptation and appropriation of the genre withinspecific national, regional or local contexts, and also uncoversimilarities between the works of authors from very different areas.
Contributorsexplore discourse concerning national and historical memory, language,race, ethnicity, culture and gender, and examine how identity isaffirmed and challenged in the crime genre today. They reveal a growingtendency towards hybridization and postmodern experimentation, andincreasing engagement with philosophical enquiry into theepistemological dimensions of investigation. Throughout, the notion ofstable identities is subject to scrutiny.
While each essay initself is a valuable addition to existing criticism on the genre, allthe chapters mutually inform and complement each other in fascinatingand often unexpected ways. This volume makes an important contributionto the growing field of crime fiction studies and to ongoing debates onquestions of identity. It will therefore be of special interest tostudents and scholars of the crime genre, identity studies andcomparative literature. It will also appeal to all who enjoy readingcontemporary crime fiction.
TABLE DES MATIÈRES
Contents
Acknowledgements
Marieke KRAJENBRINK and Kate M. QUINN: Introduction: Investigating Identities
Eva ERDMANN: Nationality International: Detective Fiction in the Late Twentieth Century
Stewart KING: Articulating and Disarticulating Culture and Identity in Vázquez Montalbán's Serie Carvalho
Anne M. WHITE and Shelley GODSLAND: Popular Genre and the Politics of the Periphery: Catalan Crime Fiction by Women
Anne L. WALSH: Questions of Identity: An Exploration of Spanish Detective Fiction
Sjef HOUPPERMANS: Abyss of the Senses: Les Rivières pourpres by Jean-Christophe Grangé
Agnès MAILLOT: Fractured Identities: Jean-Claude Izzo's Total Khéops
Arlene A. TERAOKA: Detecting Ethnicity: Jakob Arjouni and the Case of the Missing German Detective Novel
John SCAGGS: Double Identity: Hard-Boiled Detective Fiction and the Divided “I”
Theo D'HAEN: Plum's the Girl! Janet Evanovich and the Empowerment of Ms Common America
Willem G. WESTSTEIJN: Murder and Love: Russian Women Detective Writers
Hans ESTER: Perspectives on the Detective Novel in Afrikaans
Beate BURTSCHER-BECHTER: Wanted: National Algerian Identity
Marisol MORALES LADRÓN: “Troubling” Thrillers: Politics and Popular Fiction in Northern Ireland Literature
Sabine VANACKER: Double Dutch: Image and Identity in Dutch and Flemish Crime Fiction
Christopher JONES: Cultural Identity in Swiss German Detective Fiction
Marieke KRAJENBRINK: Unresolved Identities in Roth and Rabinovici: Reworking the Crime Genre in Austrian Literature
Costantino C. M. MAEDER: Crime Novels in Italy
Philip SWANSON: The Detective and the Disappeared: Memory, Forgetting and Other Confusions in Juan José Saer's La pesquisa
Kate M. QUINN: Cases of Identity Concealed and Revealed in Chilean Detective Fiction
Brian DUFFY: From a Good Firm Knot to a Mess of Loose Ends: Identity and Solution in Martin Amis' Night Train
Notes on Contributors
Index