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Forgotten Voices of the Avant-garde

Forgotten Voices of the Avant-garde

Publié le par Matthieu Vernet (Source : Rebecca Ferreboeuf)

Call for Papers: The Forgotten Voices of the Avant-garde

20-21st Januray 2011, University of Leeds

A postgraduate conference co-organised and supported by the University of Leeds (School of Modern Languages and Cultures), the University of Aberdeen ( School of Modern Languages and Cultures) and Queen's University Belfast (Spanish and Portuguese Studies).

Part of the Arts and Humanities Research Council's Beyond Text Initiative, with funding from Society for French Studies.

Keynote Speakers:

- Dr. Ruth Hemus,  School of Modern Languages, Literatures and Cultures, Royal Holloway, University of London.

- Dr. John McCulloch, School of Modern Languages and Cultures, Hispanic studies, University of Glasgow.

Despite repeated challenges to the notion of art as an institution, prompting questions about the criteria and norms that establish the legitimacy of a work of art, the artistic production of the avant-garde has, with the passing of time, been mediated and transmitted by means of the very structures it sought to deconstruct. Bound up with cultural, social, economic and political issues, these structures specifically concern:

- the application of restrictive binary divisions (image/text, performance/script) in the categorisation of artwork.

- the means and forms by and in which artistic production is (re)distributed

- the primacy of written word, and consequent misrepresentation and devaluation of the non-textual (visual, oral, aural, performative) artwork

Within the context of the avant-garde, this inter-disciplinary conference considers the work of artists and writers whose work has been forgotten, ignored, undervalued. In so doing, it also invites a critical rethinking of the means by which we preserve, communicate and transmit cultural production across time and space.Ultimately what we seek  to determine, is how these structrures of preservation, communication and transmission have shaped and defined the avant-garde itself.

Contributions from both postgraduate students working (for example) in the fields of literature, theatre, film and visual culture, art history, text/image, music and performance studies, and from those working as curators in museums or art galleries, are welcomed and encouraged.

Speakers may wish to consider - but are not limited to- the following topics:

- women writers, artists and the avant-garde

- non- normative sexualities 

-  the hierarchy of avant-garde groups: the supremacy of avant-garde groups' leaders

- marginalised artists and avant-garde groups 

- museum strategy and the avant-garde, in particular the preservation and dissemination of artworks encompassing text, image, sound, object

- visual and artistic techniques of the avant-garde

- interplay between visual (including performance and oral communication) and textual communication, and its potential for transmission

- avant-garde and cultural institutions 

We invite proposals for twenty -minute papers from postgraduate students. Papers should be in English. Abtsracts (maximum 300 words), together with a short biography indicating your academic background and research interests, should be submitted via e-mail (to voicesofthevantgarde@gmail.com) by 1st October 2010. Please include your name, academic affiliation, and contact details. A limited number of travel bursaries will be available; please indicate if you are interested.

For further information, consult our blog: http://www.voicesoftheavantgarde.com

Organizers:

Rebecca Ferreboeuf (Department of French, University of Leeds)

Fiona Noble (Department of Hispanic Studies, University of Aberdeen)

Tara Plunkett (Department of Spanish and Portuguese Studies, Queen's University Belfast)