

All forms of life-writing represent specific processes of mediation, thematically between the self and the world, technically between the author and the chosen medium of self-representation. Thematically, an auto-biography may mediate between individual positions and choices taken in life, in the sense of the critical concept of relational selves, or it may mediate between self and place as in imaginary geographies and eco-biographies. As such, auto-biographies are involved in literary, cultural, psychological, legal or political processes of mediation in which the auto-biographer becomes a mediator in intercultural, interethnic, and interracial affairs. An auto-biography can also mediate between different disciplines of the humanities, the social and natural sciences, neuro-science and medicine. Auto-biographical memory functions as a medium for time and reality. Technically, auto-biographers can choose from a wide range of media in which to present their lives: print media, performance, film and video, radio and tapes, or the internet. Many auto-biographers combine different media for intermedial effects, such as the inclusion of photography in texts, voice and music on the radio or tapes, sound and images in filmic auto-biography, music and dance in self-performances. Auto-biographical multi-media installations dissolve boundaries between genres and technologies of signification. The overall goal of auto-biography as mediation is to find some kind of resolution between different positions and the choice of media for the representation of life.
The fifth biennial IABA conference will explore such issues of "Auto/Biography and Mediation."
Poésie coréenne contemporaine (suite)
Autour de quatre poètes coréens contemporains
La poésie lyrique dans la cité antique. Les Odes d'Horace au miroir de la lyrique grecque archaïque.
Pédagogie et nouvelles technologies. Théories et pratiques de l'apprentissage en histoire des arts.
Présentation de l’ouvrage L’Arioste et les Arts
Les revues littéraires et artistiques (1870-1940). Perspectives méthodologiques et apports critiques
Le temps du spectateur : temporalités du rapport à l'oeuvre d'art visuel
Humanités numériques outre-Atlantique. Édition des textes et recherche interdisciplinaire
Frédéric Plessis poète et romancier brestois
Jazz, pouvoir et subversion en Europe francophone, germanophone et russophone
Journée d'étude "Poésie et histoire au XXe siècle"
Les pratiques de réécriture dans les arts du spectacle
Image et texte: retour au texte?
Groupe phi, Elisabeth Ladenson : « Colette ou l’art du contresens »
London-Sussex Summer School in Intellectual History
Théâtre politique et personnage
"Autour de Régis Jauffret" Journée d’étude en présence de l’auteur
Inégalités et violences sociales : Dire l’injustice
Les mobilités : approche internationale et interdisciplinaire