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Jane Austen Superstar. Readership, Translation & Criticism in the 21st century (Lisbonne)

Jane Austen Superstar. Readership, Translation & Criticism in the 21st century (Lisbonne)

Publié le par Marc Escola (Source : Alexandra Lopes and Rita Bueno Maia)

Universidade Católica Portuguesa – Lisbon

11-12 December 2017 

Jane Austen Superstar.

Readership, Translation & Criticism in the 21st century

2017 marks two centuries since the death of Jane Austen in July 18, 1817. Two hundred years after her premature death, the English writer has never been more famous: from movies to tote bags, from mugs to rewritings of various sorts (sequels, guides to dating, adaptations to modern-day circumstances, biographies and fictional biographies, and, of course, translations), her work has invaded and pervaded contemporary imagination.

As Virginia Woolf famously put it, ‘[h]ere was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching’ (Woolf, 2008: 88). This apparently unassuming woman penned six powerful novels that have changed the world. Seen by some as an unwitting precursor to the women’s rights movements, read by others as a conservative author, Austen never ceases to baffle the contemporary reader, writer and critic alike: is she a ‘secret radical’, as Helena Kelly suggests (2006), or is she apolitical and / or a middle-of-the-road author? Is she an author who writes about trifles or does she, as Woolf surmised in 1925, stimulate ‘us to supply what is not there’? Woolf further adds that ‘[w]hat she offers is, apparently, a trifle, yet is composed of something that expands in the reader’s mind and endows with the most enduring form of life scenes which are outwardly trivial.’

The conference would like to celebrate Jane Austen’s life and work by discussing (a) how her books form part of the contemporary experience of love, gender, family, social and pecuniary relations and (b) how her writing style, her silences as well as her favourite topics, and her language have shaped modern-day literature, both in the UK and abroad.

In a nutshell, the conference aims to discuss both the author’s rootedness in the late 18th and early 19th centuries, her authorial longevity and acumen, and her to some extent intriguing pop star fame in the last 20 years, proving indeed that ‘[h]er legacy is not a piece of reportage from the society of a particular past, but a wise and compelling exploration of human nature’ (Shields, 2001: 170).

Papers on the following topics are welcome:

Authorship and (in)visibility

Austen and feminism

Jane goes to Hollywood

Austen and TV adaptations

Austen as a popular icon (fashion, books, visual icon, and other memorabilia)

Austen’s critical fortune

Austen and (the absence) of history

Austen and / in the great tradition

Masculinities & the economics of power

Jane and mothers

Austen and the social value of gossip

Flattery in Jane Austen

Jane in translation / Translating Austen

Places in Austen

Austen and politics

‘Janeitism’: from fandom to commodification

 

Keynote lecturers:

Kathryn Sutherland (University of Oxford)

Helena Kelly (Mansfield College, Oxford)

 

Organising Committee:

Alexandra Lopes

Rita Bueno Maia

Maria Sequeira Mendes

 

Scientific Committee:

Teresa Casal (University of Lisbon)

João Ferreira Duarte (University of Lisbon)

Alexandra Lopes (Universidade Católica Portuguesa)

Rita Bueno Maia (Universidade Católica Portuguesa)

Adriana Martins (Universidade Católica Portuguesa)

Rogério Miguel Puga (New University of Lisbon)

Jorge Vaz de Carvalho (Universidade Católica Portuguesa)

 

The conference languages are English and Portuguese. Speakers should prepare for a 20-minute presentation followed by questions. Please send a 250-word abstract, as well as a brief biographical note (100 words) to austensuperstar@gmail.com by August 27, 2017.

Proposals should list the paper title, name, institutional affiliation, and contact details. Notification of abstract acceptance or rejection will take place by September 18, 2017.

Fees:

Early bird (by October 9):

Participants – 100€

Students (ID required) — 50€

 

After October 9 but no later than November 10:

Participants – 120€

Students (ID required) – 60€

The registration fee includes coffee breaks on the two days of the conference, as well as conference documentation.

Payment:

By bank transfer:

NIB 003300000017013412105

IBAN PT50 0033 0000 0017 0134 1210 5

SWIFT BCOMPTPL

By cheque made out to:

Universidade Católica Portuguesa

and sent to:

Centro de Estudos de Comunicação e Cultura

a/c Elisabete Carvalho

Universidade Católica Portuguesa

Faculdade de Ciências Humanas

Palma de Cima

1649-023 Lisboa Portugal

Please send the notification (in case of online-banking) or a copy of the bank transfer document to the aforementioned email.