Agenda
Événements & colloques
International Conference on Narrative

International Conference on Narrative

Publié le par Marielle Macé (Source : Sophie Duteil)

PROGRAM -- THURSDAY, APRIL 6
SESSION 1 11:00 – 12:30

Contemporary Narratology Session I: Narration
Location TBA

Chair: Emma Kafalenos, Washington University – St. Louis.
Jan Baetens, University of Leuven. “Narrative Speed: Some Reflections on K. Hume's Article in Narrative, May 2005.”
Jonathan Culler, Cornell University. “Telepathy vs. Omniscience.”
Henrik Skov Nielsen, University of Aarhus. “Indeterminacy and Potentiality in Written Narrative.”

SESSION 2 12:30 – 2:00

Session 2A Lacan and Subjectivity
Location TBA
Matthew Clark, York University. “Language, Literature and Self.”
Royal S. Brown, University of New York. “Poe Revisited: The Purloined Letter and Lacanian Myth.”
Eleanor Kaufman, UCLA. “The Name of the Husband.”

Session 2B Jamesian Fiction
Location TBA
Melanie H. Ross, US Merchant Marine Academy. “The Art of Feeling in Henry James's The Portrait of a Lady.”
Melba Cuddy-Keane, University of Toronto. “William James and the Human Work of Particularity.”
Susan M. Griffin, University of Louisville. “Jamesian Noir: Black & White & In Color.”
Ruth Hoberman, Eastern Illinois University. “James's The Outcry: Making an Audience for Art.”

Session 2C Televisual Narratives
Location TBA
Carlen Lavigne, McGill University. “Primetime Propaganda and the Politics of CSI.”
Lauren Byler, Tufts University. “'The stake is not the power': Narratives of the Un-slayable in Buffy the Vampire Slayer.”
Robyn Diner, Concordia University. “White Trash…in Canada? The Trailer Park Boys, Stink Mitt and Narratives of Canadian Poverty.”
Yves Laberge, University of Laval. “Narrating Reality Television in French-Canada.”

Session 2D Hidden Narratives
Location TBA
Arnaud Schmitt, University of Bordeaux. “Making the Case for Self-Narration Against Autofiction.”
Julie Flynn, Drew University. “We Owe it to Each Other to Tell Stories: Neil Gaiman and Narratives of Creation.”
Matthew Badura, Temple University. “'I'm scared about how sappy this will look in print': Hideous Talk by David Foster Wallace.”

Session 2E Cognitive Approaches to Literature
Location TBA
Chair: Lisa Zunshine, University of Kentucky.
Lisa Zunshine, University of Kentucky. “The Novel as a Cognitive Experiment.”
H. Porter Abbott, University of California – Santa Barbara. “'Fail better': The Advantages of Incompetence Reconsidered.”
Frederick Luis Aldama, Ohio State University. “Narrative Gnashings in Zadie Smith's White Teeth.”

Session 2F Intermental Plots, Gendered Collaboration
Location TBA
Chair: Alison Booth, University of Virginia.
Heather Morton, University of Virginia. “"Shall we forgive him?': Alice and the Man Who Plotted Her.”
Sarah Heidt, Kenyon College. “'We are going to work together': Plotting Spouses and the Writing of Hardy's Life.”
Kate Nash, University of Virginia. “Intermental Thinking and Gendered Reading: John Cowper Powy's Glastonbury Romance.”

Session 2G Modernism, Disorientation and the City: Belyi's Petersburg
Location TBA
Chair: Robin Feuer Miller, Brandeis University.
Eric J. Bulson, Columbia University. “Modernism, Disorientation, and the City.”
Marcia A. Morris, Georgetown University. “Stairways to Heaven?: Balconies, Carriages and Stairways and Liminality in Belyi's Petersburg.”
Peter Rollberg, George Washington University. “Fathers and Terrorists: The Shadow of Dostoevski's Devils in Belyi's Petersburg.”
Deborah A. Martinson, Columbia University. “Myth and Metapoetics in Belyi's Petersburg.”

Session 2H African-American Women's Narratives
Location TBA
Bessie Goldberg, York University. “Passing Where? Space and Directionality in Nella Larsen's Passing."
Laura Quinn, Allegheny College. “Ann Petry's The Street and Gunnar Myrdal's An American."
Navneet Sethi, Jawaharlal Nehru. “Touching the Color of Land: The Sounds of Spaces in Cane."

Session 2I War and Human Rights in Contemporary Narratives
Location TBA
Sidonie Smith, University of Michigan. “Victims, Perpetrators, Beneficiaries: Human Rights, Storytelling, and the Position of Witness.”
Vanessa Raney, Southern Connecticut State University. “Crossing Genres to Frame the Same Major Trauma: Four Pairs of Shifting WW2 Holocaust Narratives in 1st Person, Real and Imaginary.”
Nouri Gana, Queen's University. “The Refugee Camp Narrative: Elias Khoury's Gates of the City and the Trauma of the Lebanese Civil War.”

COFFEE BREAK 2:00 – 2:30

SESSION 3 2:30 – 4:00

Session 3A Narrative (Re)Cognition
Location TBA
Hans Lofgren, Goteborg University. “Narratology Beyond Cognition.”
Barry Stampfl, San Diego State University. “Narrative as Critique: Trauma Theory and Two Short Stories by Todd Hasak-Lowy.”
Matti Hyvarinen, University of Tampere. “Beyond Narrative?”

Session 3B American Fiction: Secrets, Subjectivity, and Scene
Location TBA
Ashley Byock, Northwestern University. “'Strange wanderings' and 'Nameless wonderings': Narrativity and Indeterminacy in Melville's Pierre.”
Christine Nadir, Columbia University. “The Language of Madness and the Name of Death: Narrative and Economy in Willa Cather's Environmental Ethics.”
Avak Hasratian, Brown University. “Secret Histories, Open Secrets, and the (De)formation of Community.”
Michael Rozendal, University of San Francisco. “Proletarian Narratives, Poetics of Social Necessity: William Carlos Williams' Radical Short Fiction.”

Session 3C Cultural Production and Communities
Location TBA
Julie Rak, University of Alberta. “The Methodological Challenge of Genre: Reading Auto/biography for Mass Markets.”
Matthew C. Garrett, Stanford University. “Episodic Poetics in Early US Political Autobiography.”
Benjamin Joseph Bishop, University of California – Irvine. “Flaubert's Deformative.”

Session 3D The Bad Subjects of the Victorian Novel
Location TBA
Rachel Ablow, University of Rochester. “George Eliot's Bad Subjects.”
Lorri Nandrea, University of Wisconsin – Stevens Point. “Lookers, Loungers, and Loiterers in Hardy's Fiction.”
Laura Green, Northeastern University. “Ambivalence and Identification: Virginia Woolf's The Voyage Out.”

Session 3E Innovative Narrative Voices Across Perspectives and Cultures
Location TBA
Hilary P. Dannenberg, University of Bayreuth. “Post-Colonial Narrative Strategies in Anglophone Fiction.”
Brian Richardson, University of Maryland. “'We' Narration and Its Theory.”
Emma Kafalenos, Washington University at St-Louis. “Focalization as Characterization: Cortazar's Bestiary.”

Session 3F Space, Time, and Figures of the Social in Recent Cinema
Location TBA
Scott R. MacKenzie, Davidson College. “The Castle of Eden: Terence Malick's Inverted Gothic.”
Deanna Kreisel, Warren Wilson College. “'My Iraqi ass map': Somatic Geographies in Three Kings.”
Corinn Columpar, University of Toronto. “Time Travel and Epistemological Crisis in Shane Carruth's Primer.”

Session 3G Early French Narratives
Location TBA
Christopher B. Wood, New York University. “Twisting Ariadne's Thread: Two Late Sixteenth-Century Fictional Debates on the Ariadne-Abandonment Motif.”
Joanna Luft, University of Windsor. “The Narrator-Dreamer-Lover Persona: Repetition and Ambiguity in Le roman de la rose.”
Kathleen A. Loysen, Montclair State University. “Reader Reception Theory and the Sixteenth-Century French Tale Collection.”

Session 3H Motive, Rhetoric, and Performativity
Location TBA
Moira Eileen Phillips, Osgoode Hall Law School. “Brave New World: The Use of Burkean Rhetoric in Legal Narratives.”
Miriam Marty Clark, Auburn University. “'Motive' and Contemporary Fiction: An Argument for Kenneth Burke's Usefulness.”
Jung Ah Kim, Columbia University. “Narrative Performativity of the Autobiographical Writing Act.”

Session 3I Narrating the Visual Arts
Location TBA
Marnin Young, Texas Christian University. “Narration and Time in Edouard Manet's Execution of Maximillian."
Perin Emel Yavuz, Ecole des Hautes Etudes en Sciences Sociales. “Emerging Narrative in Narrative Art.”
Silvia Oliveira, Purdue University. “The Narrative Bond in Twentieth-Century Painting: Reflections on the Work of Paula Rego.”

PLENARY 4:15 – 5:45
Location TBA
Antoine Grumbach, Facultè d'Architecture, University of Paris. “Jewish Space: Shelters, Thresholds, and Limits.”

RECEPTION 6:00 – 7:30
Location TBA

NEWCOMERS DINNER 7:30 – 9:00
Location TBA

PROGRAM -- FRIDAY, APRIL 7
SESSION 4 8:30 – 10:00

Session 4A Practices of Representation
Location TBA
Alissa Overend, University of Alberta. “Narrative Writing/Writing Narrative: Exploring Practices of Representation.”
Marianne Wolff Lunderholt, University of Denmark. “Narratology and Non-Fiction.”
Maria Makela, University of Tampere. “Possible Minds: Constructing—and Reading—Another Consciousness as Fiction.”
Lorna Martens, University of Virginia. “The Representation of the Passions in Wieland's Agathon."

Session 4B Campus Confessions
Location TBA
Robert F. Scott, Ohio Northern University. “It's a Small World After all: Assessing the Contemporary Campus Novel.”
Shannon McRae, Mohawk College. “'I'm a Canadian Fraud': Representations of the Profession in Canadian College Writing.”
J. Russell Perkin, Saint-Mary's University. “'The real thing'?: Henry James as a Fictional Character in Colm Toibin's The Master and David Lodge's Author, Author.”

Session 4C Managing Narrative/Managing Capital: Literary Responses to Capitalism, 1850-1940
Location TBA
Rekha Rosha, Northeastern University. “Mediator, Manager, Uncle: Race and Managerial Capitalism in Uncle Tom's Cabin."
Aaron Ritzenberg, Brandeis University. “Managing Sentimentalism in Adventures of Huckleberry Finn."
Nicole Aljoe, University of Utah. “Managing Pre-history: Africanizing US Imperialism in Pauline Hopkins' Of One Blood: Or, the Hidden Self."

Session 4D Modernism, Modernity, and Mourning: Three Transitional Texts of the Fin-de-siècle
Location TBA
Chair: Stephen Arata, University of Virginia.
Urmila Seshagiri, University of Tennessee. “'A race that will have no successor': The Good Soldier and the Discontinuities of Modernity.”
Jay Dickson, Reed College. “The Burial of the Undead: Mourning, Melancholia, and the Fin-de-siècle Gothic Narrative.”
Alisa Schoenbach, University of Tennessee. “James's Ghostly Institutions: Secondary Social Effects in The American Scene."

Session 4E Coming of Age and Family Dysfunction
Location TBA
Brian Olszewski, Michigan State University. “Running in the Family's Regenerative Narrative Discourse.”
Neil Brooks, University of Western Ontario. “'My heart really goes out to me': Solipsistic Irony, the Rachel Papers, and the Postmodern Coming of Age Novel.”
Caroline Giordano, University of Michigan. “Narrative Distance and Character Development in Gissing's Born in Exile.”
Birte Christ, University of Freiburg. “Opposite Sides of Main Street? Dorothy Canfield's The Brimming Cup (1920) and Sinclair Lewis' Main Street (1920) as Modern Domestic Novels.”

Session 4F Film and Its Codes
Location TBA
Annjeanette Weise, University of Colorado. “Challenging the Order: Peter Greenaway's The Pillow Book and the Tensions of Society.”
Claudia Breger, Indiana University. “Beyond Postmodernist Self-Reflexivity: Theatrical Narrative in Recent German Film.”
Paul Cohen, Texas State University. “Portraiture and Iconoclasm in Recent Fiction.”

Session 4G Oral and Print Narratives
Location TBA
Elizabeth C. Miller, University of Michigan. “Word of Mouth: Oral and Print Narrative in William Morris's News from Nowhere."
Ryan M. Claycomb, West Virginia University. “Monologue as Dialogue: Sequential Communal Voice and Oral History Performance.”
James J. Mischler III and Rebecca L. Damron, Oklahoma State University. “Conceptual Blending and Personal Oral Narrative: The Role of Prosodic Evaluation Devices.”

Session 4H Old World Narratives
Location TBA
Sol Goldberg, Hebrew University of Jerusalem. “A Narrative in Educational Failures: The Structure of Heidegger's Interpretation of the Cave Allegory.”
Jacqueline Jay, University of Chicago. “A Box in a Box in a Box: Framing Devices and Liminality in Ancient Egyptian Tales.”
Sharon Diane Nell, Loyola College in Maryland. “Narrative and Performativity: Madeleine de Scudery's Histoire de Sapho."

Session 4I Fascism and Fiction
Location TBA
Michael Butter, University of Bonn. “(Re-)Positioning Alternate Histories: A Postmodern Subgenre of the Historical Novel.”
Brian Tucker, Wabash College. “The Narrative Experience of Tim in Uew Johnson's Anniversaries."
Sylvia Soderlind, Queen's University. “Fascism, Allegory, and the Quest for Narrative Transparency.”

COFFEE BREAK 10:00 – 10:30

SESSION 5 10:30 – 12:00

Session 5A Contemporary Novelistic Constructions
Location TBA
Derek C. Maus, SUNY College of Potsdam. “The Metamythic Narrative of Colson Whitehead's John Henry Days."
Tanya Y. Kam, University of Wisconsin – Whitewater. “Mediating Identity: Comic Confusion and Cultural Prophecy in Persepolis."
Kenneth A. Bruffee, Brooklyn College. “Conrad's Influence on Modern Heroic-Quest Fiction: Structural Innovation and Thematic Range in Elegiac Romance.”

Session 5B From Dead Wood to Live Rounds: Competing Narratives of American Masculinity from the Frontier to the Gulf
Location TBA
Chair: Aaron Worth, Brandeis University.
Kelly McGuire, Emmanuel College. “The Man of Action: Masculinity as Legitimizing Narrative in the War in Iraq.”
Joel Silverman, Yale University. “A Manly Defense: Morris Ernst, Birth Control and the Forging of a New Masculine Sensibility.”
David Bottorff, Brandeis University. “'Stand it like a man': Negotiating Masculinity and Commerce in Deadwood."

Session 5C Nature, Nurture, Nation: Narratives of Personhood
Location TBA
Dawn Moore, Carleton University. “'For the good of your baby': Women, Drug Use and the (Re)Personified Fetus.”
Charlene Elliott, Carleton University. “On Governance, Obesity and the Narrative of the Failed Citizen.”
Sheryl N. Hamilton, Carleton University. “Nostalgic Personality: Narratives of the Persons Case.”

Session 5D New Approaches to "Othering" in Henry James's Fiction
Location TBA
George Butte, Colorado College. “Henry James and Deep Intersubjectivity: Th/reading the Chiasmus of Consciousnesses.”
Claire Garcia, Colorado College. “Becoming an 'Other': 'Old Men' from the New World Encountering 'New Women' in the Old.”
Sheila Teahan, Michigan State University. “The Great Good Figure: Narrative on a Grand Scale.”

Session 5E Some Aspects of Digital Narrative
Location TBA
Anne Goldenberg, University of Quebec. “'Blogging' and 'Wikiiing', Public Intimacy and Collective Auto-Production: Toward New Writing of Communities.”
Alison Harvey, Concordia University. “Playing Stories: Narrative in Video Game Theory.”
Katrina Peddle, Concordia University. “Feminist Narratives of Illness Online: A Critical Challenge to the Medical Gaze?”
Eric Champagne, University of Quebec. “The Eye Behind the 'I':Self-Narrativization and Seduction.”

Session 5F Narratizing Toni Morrison
Location TBA
Katherine Weese, Hampden-Sydney College. “Toni Morrison and Restorative Justice: Beloved and Jazz as Victim-Offender Narratives.”
Shirley (Holly) A. Stave, Northwestern State University. “In a Mirror Dimly: The Limitations of Love in Toni Morrison's Love."
Jean Wyatt, Occidental College. “Broken Time: Morrison's Wrinkled Temporality in Love."
Catherine Romagnolo, Lebanon Valley College. “Where to Begin[?]: Circularity and Feminist Narrative Beginnings in Toni Morrison's Fiction.”

Session 5G The Culture of World War I
Location TBA
A. Michael Matin, Warren Wilson College. “British Peace Literature, the Liberal Party, and Pre-1914 Militarism.”
Bette London, University of Rochester. “Dead Poets Society: World War I and the Resurrection of Posthumous Authorship.”
Claire Buck, Wheaton College. “Racialized Spaces in British Memoirs of the 1914-1918 World War.”

Session 5H After Testimony: The Future of Holocaust Narratives
Location TBA
Jakob Lothe, University of Oslo. “Responding to World War and Judeocide: Narrative Strategies in the Work of W.G. Sebald.”
Erin McGlothlin, Washington University – St. Louis. “Narrative Transgression in Contemporary German-Jewish Holocaust Literature.”
Irene Kacandes, Dartmouth University. “Story, Discourse, Reference: Distinguishing Among Genres of Second Generation Holocaust Writing.”

Session 5I Empire, Imperialism and Its Subversions
Location TBA
Joshua J. Masters, University of West Georgia. “The Symbol of the Book in the Narration of Exploration.”
Doris Wolf, University of Winnipeg. “The Politics of Spectacle in Tom King's Green Grass, Running Water."
Gerd Bayer, University of Erlangen. “Ocean Life and the Scientific Discourse: Gunesekera's Reef as Post-Colonial Resistance.”
Pekka Tammi, University of Tampere. “Exploring Terra Incognita.”

PEDAGOGY LUNCH 12:00 – 1:30
Location TBA
The Legacy of Wayne C. Booth
Chair: James Phelan, Ohio State University.
Dorothy J. Hale, University of California – Berkeley. “Attendent Intentions: Reading with Booth's Concept of the Implied Author.”
Peter J. Rabinowitz, Hamilton College. “Sometimes a Cucumber is Just a Cucumber: The Rhetoric of Reference.”
Harry Shaw, Cornell University. "Reading as Experience v. Reading as Dialogue."
David H. Richter, CUNY Graduate Center. “Keeping Company with Double Dealing: The Ethics of Films that Cheat.”

PLENARY 1:30 – 3:00
Location TBA
Rinaldo Walcott, Canada Research Chair, University of Toronto.
“Multicultural and Creole Contemporaries: Postcolonial Artists and Postcolonial Cities.”

COFFEE BREAK 3:00 – 3:30

SESSION 6 3:30 – 5:00

Session 6A Popular Narratives
Location TBA
Laura Mooneyham White, University of Nebraska – Lincoln. “Predicting the End of Harry Potter.”
Neil Gerlach, Carleton University. “Narrating Armageddon: The Search for Ontological Security in the End Times.”
Candida Rifkind, University of Winnipeg. “Renfrew of the Royal Mounted: Serial Seductions and the Making of Modern Canada.”

Session 6B Hypertext and Collective Authorship
Location TBA
Brian Greenspan, Carleton University. “Songlines in the Streets: Story Mapping with Itinerant Hypertext.”
Roy Caldwell, St. Lawrence University. “'Le Cyber Poulpe': New Forms of Authorship for a Cybernetic Age.”
Elouise R. Oyzon, Rochester Institute of Technology. “Blogs: A First Person Narrative in Real Time.”

Session 6C Nabokov and His Influences
Location TBA
Jason J. Siegel, University of Wisconsin – Madison. “Paranormal Paralipsis: Ghost Writing and the Ghost Reader of Transparent Things."
Allan Hepburn, McGill University. “Details.”
Dana Dragunoiu, Carleton University. “Homo ludis, homo faber: Vladimir Nabokov and George Plekhanov.”

Session 6D Mother and Daughter
Location TBA
Lorna Hutchison, McGill University. “Confounded Agency in Narratives of the Grotesque.”
Carolyn Vallenga Berman, The New School. “Jamaica Kincaid's Fetal Narrative and Unborn Reader.”
Damjana Mraovic, University of Tennessee. “Instability of Motherhood: Aspects of Physical Connection with Children in The Handmaid's Tale and The Fifth Child.”
Joseph Hogan and Rebecca Hogan, University of Wisconsin – Whitewater. “Twinship and Dual Narrative in Wagner and Spiro's Divided Minds.”

Session 6E Love and Beauty in Victorian Novels
Location TBA
Margaret E. Mitchell, University of West Georgia. “'To defy her very self': Narrating Beauty in Dickens.”
Erwin Rosinberg, Princeton University. “Love Beyond Fate: The Lyrical Counterplot in Hardy's Jude the Obscure."
Jennifer Conary, University of Southern California. “'My sister, thou hast read too many plays': Quixotic Plots in Daniel Deronda.”
Elaine Pigeon, University of Montreal. “Marlowe's Misogyny: Spinning Tales of 'Chance'.”

Session 6F Hybridities and Transformations
Location TBA
Magali Cornier Michael, Duquesne University. “Hybrid Forms in Diana Abu-Jaber's Crescent."
Sandra Singer, Guelph University. “The Narrative Transformation of George and Rue by George Elliott Clarke.”
Julie Rivkin, Connecticut College. “Doing Things with Vegetables, or De-Familiarizing Consumption in Lara Vapynar's Broccoli.”

Session 6G Radio, Oral, and Serial Narratives
Location TBA
Anne MacLennon, York University. “Recovering Memories of Canadian Radio.”
Radha O'Meara, University of Melbourne. “Beyond Closure: For a Multifaceted Approach to Serial Narrative Form.”
Edward Maloney, Georgetown University. “Footnotes in Fiction: A Study of Artificial Paratexts in Fictional Narratives.”

Session 6H Reconsidering Barthes and Foucault
Location TBA
Katherine Collin, Yale University. “Suspense and the Body: Barthes, Maupassant and Barbey.”
Darren Ilett, University of Chicago. “Reconsidering Barthes's Writerly Text: The Code of Contingency in Ermine Sevgi Ozdamar's The Courtyard Mirror."
Whitney Braun, UCLA. “'Plays of Signification': An Examination of the Space of the Author-Function in Foucault's "What is an Author?”

Session 6I Narrative Reliability and Narratological Vision
Location TBA
Per Hansen, University of Southern Denmark. “The Unreliable Narrator Reconsidered Once Again.”
Martine Motard-Noar, McDaniel College. “La Dynamique d'engendrement du texte romanesque chez Jean Echonoz: de la Deconstruction loufoque au defi strategique.”
David FitzSimmons, Ashland University. “Moving Beyond 'I Say/She Says': 'Voice Features' and Why They Matter.”
Brigitte Rath, Ludwig-Maximillians – University of Munich. “Sketching the Narrative Schema.”

SESSION 7 5:15 – 6:45

Contemporary Narratology Session II: Intersections
Location TBA
Chair: Brian McHale, Ohio State University.
Alan Palmer, Independent scholar. “Dispositions.”
Dan Shen, Peking (Beijing) University. “Some Reflections on Postclassical Narratologies.”
James Phelan, Ohio State University. “Rhetorical Aesthetics: After Wayne C. Booth.”

PROGRAM -- SATURDAY, APRIL 8

SESSION 8 8:30 – 10:00

Session 8A The Worlds of Charlotte Brontë
Location TBA
Kristina Aikens, Tufts University. “Opiate Dreams and Drugged Domesticity in Charlotte Brontë's Vilette.”
Maia McAleavey, Harvard University. “Marrying Mr. Rochester: The Reader's Bigamous Desire in Jane Eyre and Aurora Floyd."
Helen H. Davis, CUNY Graduate Center. “'I seemed to possess two wives': The Professor's Implied Narrative.”

Session 8B New Media
Location TBA
Helmut W. Klassen, York University. “Mimetic Production: Narrative in the Context of the New Media Artwork."
A. Brady Curlew, York University. “From Decoding to Recoding: Subversive Re-Directions of New Media Narratives.”
Bruno Lessard, University of Montreal. “Beyond Cinematic Narrative? Artistic CD-ROMs and the Ghost-Image.”

Session 8C The Discourse of Confession and Self-Construction
Location TBA
Shalyn Claggett, Vanderbilt University. “Science and Confessional Discourse in Harriet Martineau's Rejection of Theism.”
Thatcher C. Carter, Riverside Community College. “Headline: Women with Cancer Subvert Narrative Structure.”
Shaun Ramdin, University of Western Ontario. “Confessing the Law: Narrativizing and Normalizing the Act of Confession.”
Jeannie Ludlow, Bowling Green State University. “'For Your Never Named Sake': Narratives of Pregnancy Loss and Abortion.”

Session 8D Trying on Genres: Authorial Identity, Gender, and Age
Location TBA
Andrew Adolph, Kent State University. “Straight Observation: Mollie Panter-Downe's Fall from Fiction.”
Devon Hodges, George Mason University, and Janice Doane, Saint-Mary's College. “Gertrude Stein's Pleasing Writing.”
Michelle Masse, Louisiana State University. “Elective Affinities: Genre, Authorial Identity, and Louisa May Alcott.”

Session 8E Discourse and the Ethics of Narration
Location TBA
Henrik Scharfe, Aalborg University. “New: A Strategy for Comparing Narratologies of Different Cultural Origins.”
Dane Johnson, San Francisco State University. “How to Read Like a Censor: Franco's Censors Reading and Reforming the Latin American 'Boom' Narrative.”
Kofi Cambell, Wilfred Laurier University. “Narrating Poverty in the Language of Postcolonialism.”

Session 8F Configurations of History and Memory
Location TBA
Frank Palmeri, University of Miami. “Evolution and Genealogy: The 'Nietzsche-Darwin Principle' and Foucault's Theory of History.”
Cynthia Sugars, University of Ottawa. “The Allure of Origins: Genealogical Narration in Contemporary Canadian Memoirs.”
Lucienne Loh, University of Wisconsin – Madison. “'Breathing English Air': Buried Legacies of Empire in W.G. Sebald's The Rings of Saturn."

Session 8G Mapping Identities
Location TBA
Marzieh Hassantafaghodtari and Diane Watt, University of Ottawa. “Un/covering the Complexities of Hijab: Reflections on the Practices of Veiling/Not Veiling.”
Elizabeth F. Evans, University of Wisconsin – Madison. “Maps and Tours: The Spatial Form in Woolf's The Years."
Julia M. Wright, Dalhousie University. “'A checker'd scene': The Mapping of History in Irish Topographical Poetry, 1770-1850.”

Session 8H Revisiting Hitchcock
Location TBA
Shannon Bilunas, University of Purdue – Calumet. “Shifting Eyes: Narrativity and the Voyeuristic Film.”
Erin Edwards, University of California – Berkeley. “'Out of the "Gilded Cage': Between Sound and Image in The Birds."
Eleanor Salatto, Sweet Briar College. “She's Not There: Vertigo and the Ghostly Feminine.”

Session 8I American Narratives of Decadence and Aestheticism
Location TBA
Chair: Peter Gibian, McGill University.
Kirsten MacLeod, University of Alberta. “Art for America's Sake: Aestheticism, Decadence, and the Making of American Culture in the Little Magazines of the 1980s.”
Ana Rojas, Cornell University. “A Graven Image of Desire: The Quest for Decadence in The Awakening."
Lisa Renfro, University of Nebraska – Lincoln. “Decadence and the Sick Self: The Case of The Picture of Dorian Gray and The Yellow Wall-Paper."

COFFEE BREAK 10:00 – 10:30

SESSION 9 10:30 – 12:00

Session 9A Spectacles of Women
Location TBA
Tom Carmichael, University of Western Ontario. “Narrating the Spectacle of Productivity: Margaret Bourke-White, Fortune, Life, and Photojournalism.”
Bruce Tucker, University of Windsor. “Spectacle, Abu Graib and the New Imperialism: Narrating Lynndie England.”
Jamie Barlowe, University of Toledo. “'When Women Rule!': Narrative Strategies in Silent Film.”

Session 9B War and Governmentality in American Fiction
Location TBA
Louis Suarez-Potts, Independent scholar. “Mark Twain's Narratives of Governmentality.”
Andy Doolen, University of Kentucky. “War and Historical Narration in James Fennimore Cooper's The Spy and The Last of the Mohicans."
Jason Haslam, Dalhousie University. “The Pit, the Pendulum, the Prison, and the Terrorized Populace.”

Session 9C Polyphony, Communities, and Musicalization
Location TBA
Milo Zatkalik, University of Arts Belgrade. “Polyphonic Narrative Revisited.”
Derek S. Foster, Wilfred Laurier University. “Narrativizing a Neighborhood, or the Attempted Gentrification of the Imagination.”
Klisala Harrison, York University. “Musical Narrative and Community in Vancouver, Canada's Downtown Eastside.”

Session 9D Asian-American Women's Writings
Location TBA
Sarah Copland, University of Toronto. “'The "Seeing As' Trope in Chiang Yee's Silent Traveller Narratives.”
Eleanor Ty, Wilfred Laurier University. “Discarding Old Familial, Ethical, and Corporate Myths: Recent Narratives by Hiromi Goto and Ruth Ozeki.”
Mark Jerng, Harvard University. “Narrating the Transnational Family: Gish Jen's The Love Wife and Other Adoption Stories.”
Christine Hong, University of California – Berkeley. “Through the 'Broken Glass': The Shattered 'Mirror of Nostalgia' and Exilic Narration in Contemporary Post-Colonial Literature.”

Session 9E Comparative Narrative
Location TBA
Chair: Eric Hayot, University of Arizona.
Rebecca L. Walkowitz, University of Wisconsin – Madison. “Comparison Literature.”
Janis McLarren Caldwell, University of California – Santa Barbara. “Narrating Pictures: Victorian Ekphrastic Poetry and the Ethics of Comparison.”
Caroline Levine, University of Wisconsin – Madison. “Then and Now: Wilkie Collins' Ethical Comparisons.”

Session 9F Science and Justice
Location TBA
Monique R. Morgan, McGill University. “Singular Events: Narrative Patterns and Scientific Reasoning in Mary Shelley's Frankenstein."
Peter Jaros, Northwestern University. “The Physiognomic Turn: Johann Caspar Lavater and the Temporality of Character.”
Tilottama Rajan, University of Western Ontario. “Narrative as Justice: Godwin's Caleb Williams."

Session 9G Subculture Narratives
Location TBA
Laura Wiebe Taylor, Brock University. “Music of Disaster: Apocalypse Fascination and Dystopian Imagination in the Narrative of Heavy Metal.”
Lindsey Banco, Queen's University. “The Death of the Counterculture: Drugs and Tourism in Hunter S. Thompson's Fear and Loathing in Las Vegas."
Robert McAlear, University of Wisconsin – Madison. “Techniques of Near Future Propaganda Narratives: Closing off Alternative Ideologies in London's The Iron Heel and MacDonald's The Turner Diaries."
Courtney Hopf, University of California – Davis. “The Divorce Plot: White Noise and the Family as Anti-Narrative.”

Session 9H Philosophy and the Modern Lesbian Narrative
Location TBA
Tammy Clewell, Kent State University. “Private Grief, Social Grievance: Hood, the Closet, and the Politics of Silence.”
Madelyn Detloff, Miami University of Ohio. “Living in 'Energetic Space': Jeanette Winterson's Bodies and Pleasures.”
Ralph M. Berry, Florida State University. “Nightwood and Private Language.”
Renee C. Hoogland, Radboud University Nijmegen. “Affective Narratives: Bodies, Literature, and De/constructions of Gender.”

Session 9I History and Hagiography: Building Community through Narrative in Anglo-Saxon England
Location TBA
Jacqueline Stodnick, University of Texas – Arlington. “Reading the Anglo-Saxon Chronicles as Formulary.”
Rebecca Stephenson, University of Louisiana – Munroe. “Style vs. Substance: The Form and Narrative of Hermeneutic Latin.”
Renee R. Trilling, University of Illinois – Urbana-Champagne. “Narrative Tension: Fragmentation and Unity in Anglo-Saxon Hagiography.”

LUNCH 12:00 – 1:30

PLENARY 1:30 – 3:00
Location TBA
Janice Radway, Frances Fox Professor in Humanities, Duke University.
“Bridget Jones, Girls' Zines and the Problem of the Future: Gender, Narrative, and Subjectivity in the Nineties.”

COFFEE BREAK 3:00 – 3:30

SESSION 10 3:30 – 5:00

Session 10A Narratives Within Narratives
Location TBA
Ellen Peel, San Francisco State University. “Protean Metaphor in Narrative.”
Peter Malachy Ryan, Ryerson University. “Narrative Networks: In Theory and Practice.”
Jared Gardner, Ohio State University. “Graphic/Narrative.”

Session 10B Metaphoric Narratives
Location TBA
Chair: Monika Fludernik, University of Freiburg.
Gunther Martens and Benjamin Biebuyck, Ghent University. “Con-figuration in Narrative: Theoretical and Applied Perspectives for the Study of Tropes at the Intersection of Rhetoric and Narratology.”
Mike Hanne, University of Auckland. “The Narrative: Metaphor Nexus.”
Michael Kimmel, University of Vienna. “'Metaphor Mesh' and Other Ways of Reconstructing Narrative Plot Comprehension by Combining Image Schemas.”
Jan Alber, University of Freiburg. “Film Narratives and Metaphor.”

Session 10C The Science of Stories and the Stories of Science
Location TBA
Colin Milburn, University of California – Davis. “Biotechnologies of the Wounded Body: Posthuman Gothic.”
Ned Schantz, McGill University. “Turing vs. Voight-Kampff: The Test as Posthuman Genre.”
Lindsay Holmgren, McGill University. “'My Scientific Training Spoiled It': Consciousness and Scientific Narration.”
Laura Thiemann Scales, Harvard University. “The Undiscovered Country: Pauline Hopkins and the Science of the Irrational.”

Session 10D Gender and Narratives of Labour
Location TBA
Mark Garrett Cooper, Florida State University. “Interpretive Expertise and the Gendered Division of Labor: The Case of Universal Women Directors, 1912-1918.”
Barry Faulk, Florida State University. “Professional and Aesthetic Authority in Virginia Woolf's Mrs. Dalloway."
John Marx, University of Richmond. “City Police and Private Eye.”
Robin Truth Goodman, Florida State University. “The Literariness of Women's Labor.”

Session 10E Cultural Narratives
Location TBA
Alan Nadel, Renssalaer Polytechnique Institute. “How George Bush Knows: Representation, Intelligence, and the New Disney World Order.”
Pricilla Wald, Duke University. “Outbreak Narrative: Fiction, Film, and the Discourse of Global Health.”
Hortense Spillers, Cornell University. “To Promote the General Welfare: Reading the Constitution.”
Donald Pease, Dartmouth College. “The Extraterritorializing Effects of Foundational National Narratives.”

Session 10F Chronology and Linearity
Location TBA
Anna Lidstone, University of Toronto. “Time as Linear: Narrative Theory Tells Itself a Story.”
Gary Johnson, University of Findlay. “Between a Sordid Past and the Gnomic Present: The Ethics of Temporality in L-F Celine.”
Christopher Beard, Brock University. “'Wrong in time': The Reverse Chronological Narrative of Martin Amis' Time's Arrow."

Session 10G Re-Evaluating Elizabeth Gaskell
Location TBA
Carrie Wasinger, Northwestern University. “Fantasies of Socialization: Elizabeth Gaskell and the Literary Fairy Tale.”
Michael D. Lewis, University of Virginia. “Narratives of North and South."
Nils Ivan Claussen, University of Regina. “Romancing Manchester: Class, Gender and the Conflicting Genres of Elizabeth Gaskell's North and South."

Session 10H Joycean Techniques
Location TBA
L. Buell Wisner, University of Tennessee. “Omniscient Narration and Dickens' Bleak Shadow in Joyce's Wandering Rocks."
Kerry Higgins Wendt, Emory University. “Between Workshop Material and Framing Piece: The Epigraphic Character in James Joyce's A Portrait of the Artist as a Young Man."
Elicia Clements, York University. “'Booked Passage': Spatial Agency in James Joyce's Eveline."

Session 10I Victorian Conventions and Traditions
Location TBA
Antje Anderson, Hastings College. “'A Better Class of Novels?': Connecting Nineteenth-Century British and German Theories of the Novel.”
Jesse Rosenthal, Columbia University. “Moral Sense and the Sense of Narrative: Hard Times."
Timothy S. Hayes, University of North Caroline – Chapel Hill. “Heteroglossia of Darkness: Self-Narrative, the Saving Illusion and Marlow's Bahktinian Consciousness.”

COFFEE BREAK 5:00 – 5:15

SESSION 11 5:15 – 6:45

Session 11A Female Writers and Characterizations in British Fiction
Location TBA
Jules Law, Northwestern University. “Transparent Narrative: The Case of Daniel Deronda."
Elizabeth Bridgham, Providence College. “Sketchy Characters: The Aesthetics of Narrative Control in Pride and Prejudice."
Anna Udden, Stockholm University. “The Boundaries of Fiction: Verisimilar Effects in Jane Austen's Emma."

Session 11B Narratives of Hyper-Collectivity
Location TBA
Ruth Page, University of Central England. “Feminist Narratology, Reader Response and Hypertext Narratives.”
Joyce Goggin, University of Amsterdam. "Corpus Simsi and Narratives of the Body.”
Friederike von Schwerin-High. “Towards an Ethics of Alterity: Selves and Others in Selected Twentieth-Century Novels and Philosophical Texts.”

Session 11C Discourses of Technology
Location TBA
Jennifer Burwell, Ryerson University. “The Unobserving 'I': Quantum Mechanics and Contemporary Discourse.”
James R. (Randy) Fromm, Independent scholar. “The Role of Narrative in (mis)Communication among 'Case-Based Reasoning Machines'."
Tina Y. Choi, York University. “Germ Theory and Counter-Narrative in 19th-Century Britain.”

Session 11D The Rape Trope in Twentieth-Century American Literature
Location TBA
Robin E. Field, University of Virginia. “(Re)Writing the Body: Representing Rape in The Women of Brewster Place.”
Sondra Guttman, Ithaca College. “When Beauty is the Beast: The Rape Trope in Depression-Era Popular Culture.”
Laura Di Prete, University of South Carolina. “Metaphor and Metamorphosis: The Body in Dorothy Allison's Bastard Out of Carolina.”

Session 11E Revisiting World War II
Location TBA
Karen E. Westman, Kansas State University. “The Other Great War: World War II and English National Identity.”
Philippe Carrard, Dartmouth College. “September 1939: Beginnings, Historical Narrative, and the Outbreak of World War II.”
Mary Anne Schofield, Villanova University. “'Of course, I can': Preserving the War in Women's Writings, 1939-1945.”

Session 11F Race, Spectacle, and Narrative Poetics
Location TBA
Judylyn S. Ryan, Ohio Wesleyan University. “Feminist Narratology and Black Women's Cinema.”
Ruth D. Johnston, Pace University. “The Construction of Whiteness in Birth of a Nation and The Jazz Singer."
Alice Maurice, University of Toronto. “Who Wears the Pants?: Narrative and Spectacle in Swing Time and Tales of Manhattan."

Session 11G Monuments, Memorials, and Museums
Location TBA
Jean S. Mason, Ryerson University. “Image, Word, Allegory and Story: The Tuberculosis Narrative of Dr. Norman Bethune.”
Michael H. Epp, Trent University. “Narrative American Commemoration: Marietta Holley's Fictional Representations of the St. Louis Exposition and the Chicago World's Fair.”
Jonathan Readey, University of Virginia. “Memorialization in the First and Third Worlds: Narrating National Characters Through National Monuments.”
Laura Callanan, Duquesne University. “Traumatic Artifacts: Representing and Repairing the Damaged Self in Nightwood and White Olaender."

Session 11H James: Cultural Politics, Narrative, Gender
Location TBA
Gert Buelens, University of Ghent. “Henry James and the (Un)Canny American Scene.”
Ruben De Baerdemaeker, University of Ghent. "The Wind in the Critic's Sails: Henry James and the Ethics of Narrative in Non-fiction."
Peter Rawlings, University of West England. “Perspectivism and the Empirical Tradition in Henry James's The Ambassadors."

Session 11I Narratives of Subversion
Location TBA
Victoria M. Arthur, Washington State University. “The 'Imagined Narrative' of Eliza Haywood's Love in Excess."
Patricia A. Matthew, Montclair State University. “'Would he have been happier?': Patriarchy and Ambition in Mary Shelley's Valperga."
Gillian Prowse, Harvard University. “'To own it, therefore, would have been telling a lie': Samuel Johnson and the Ethics of Ghost Writing.”
Jeannie Britton, University of Chicago. “Resisting Narrative: MacKenzie, Rousseau, and the Sentimental Novel.”

BANQUET 7:00 – 9:00
Location TBA

DANCE 9:00 – Midnight
Location TBA

PROGRAM -- SUNDAY, APRIL 9

SESSION 12 8:30 – 10:00

Session 12A Constructions in/of Austen
Location TBA
Elaine Auyoung, Harvard University. “Between the Lines: Narrating a Space for the Reader in Pride and Prejudice."
N.K. (Nina) Leacock, University of West Georgie. “'The Daemon of the Piece': Craft and Chance in Mansfield Park."
Sarah Raff, Pomona College. “The Seduction of Didacticism in Austen.”

Session 12B Using Narrative Theory to Teach Creative Writing
Location TBA
Pedro Ponce, St-Lawrence University. “Creative Narratology: A Preliminary Pedagogy.”
Alicita Rodriguez, Western State College of Colorado. “Using Grading Rubrics to Evaluate the Short Story.”
Daniel Alexander, Belmont University. “Time and Long Fiction: Narrative Theory and Novel-Writing Pedagogy.”

Session 12C News and Narrative
Location TBA
Matthew G. Stratton, University of Michigan – Flint. “Making it News: Public Irony and Aesthetic Politics in U.S.A."
Aaron M. McKain, Ohio State University. “The 'Dean Scream' Didn't Happen.”
John C. Hartsock, State University of New York at Cortland. “'It Was a Dark and Stormy Night': Narrative Storytelling Returns to the Front Page.”

Session 12D Films, Non-Films, and Filmic Absences
Location TBA
Joseph Janangelo, Loyola College Chicago. “God May Not Be the Only One in the Details: Recognizing the Many Paratexts Involved in Restoring A Star is Born."
Craig Dequetteville, Carleton University. “Narrative, Gender and Race in AEW Mason's The Four Feathers: A Pedagogical Proposal.”
Daniel Punday, Purdue University – Calumet. “Unfilmed Films.”

Session 12E Postmodernism, History and Self-Constructions
Location TBA
Chair: Beth Boem, University of Louisville.
Beth Boem, University of Louisville. “Ian McEwan's 'Cheatin' Art': Atonement as Postmodern Metafiction or Old-Fashioned Doubling-Dealing Cheat?”
Sigi Jottkandt, University of Ghent. “'Mildly Entertaining Hypotheses of the Present Moment': Ian McEwan's First Love, Last Rites."
Linda Raphael, George Washington University Medical College. “'Saturday's' Child Is…?: Ian McEwan's Representation of the Daughter's Role.”
Jamal En-Nehas, Sultan Qaboos University. “Postmodern Reflections on Travel and Narrativity.”

Session 12F Postcolonial Reflections
Location TBA
Nancy B.C. Peled, University of Haifa and Oranim Academic College of Education, Israel. “'Left hand erasing': Narratives Duplicity and Doubling in Margaret Atwood's The Blind Assassin."
Alisa K. Braithwaite, Harvard University. “The Reinvention of Migration in Anglophone Caribbean Women's Narrative.”
Robin Cohen, Texas State University. “Say the Magic Words: Narrative as Creative Force in Native American Literature.”

Session 12G Ethics, Memory, and Instability
Location TBA
Jennifer Rose White, Columbia University. “'The Old World Dawning New in Me': The 'Nature' of Memory in Linda Hogan's Fiction and Poetry.”
Cindy Schnebly, University of Houston – Victoria. “In Search of a Main Character: Narrative Instability in Coetzee's Slow Man."
John Young, Marshall University. “Ethics as Narrative in Coetzee's Elizabeth Costello."
Dianne George, Carleton University. “'A Fine Balance': The Ethical Responsibility of the Reader.”

Session 12H Salman Rushdie: History, Terrorism, and Power
Location TBA
Paul Plisiewicz, University of South Carolina. “Olfaction and Subversion: Epistemological Domains and Postcolonial Discourse in Salman Rushdie's Midnight's Children."
Elizabeth Anker, University of Virginia. “'Fanaticism and Bombs': Narratives of Violence and Terror in Salman Rushdie's Shalimar the Clown."
Eric Berlatsky, Florida Atlantic University. “'New Events Stories Complexities': Narration and its Leftovers in the Final Chapter of Midnight's Children."
Paul McCormick, Ohio State University. “Divine Omniscience in Salman Rushdie's The Satanic Verses."

Session 12I Feminist Translations and Liminality
Location TBA
Emma Smith, University of Leeds. “A poetics of translation? The Narrative Function of the Translator in Nicole Brossard's Fiction.”
Heta Pyrhonen, University of Helsinki. “To Eat the Fruit Means to Leave the Garden: Jeanette Winterson's Gospel of Love.”
Susan Fraiman, University of Virginia. “A Woman Around the House: Domesticity after Divorce.”
COFFEE BREAK 10:00 – 10:30

SESSION 13 10:30 – 12:00

Session 13A Cruelty, Pain and Loss
Location TBA
Colene Bentley, Rice University. “Cruelty and Narratives of Improvement in Disgrace."
Monique Tschofen, Ryerson University. “The Fiction of Affliction: 'Merely' Narrative Pleasures and the Rhetoric of Pain.”
Dina Georgis, Queen's University. “Hearing the Better Story: Learning and the Aesthetics of Loss and Expulsion.”

Session 13B Modernist Disclosures
Location TBA
Margret Gunnarsdottir Champion, Gothenburg University. “The Ethical Chronotope in Modernist Prose: The Cases of D.H. Lawrence's St.Mawr and Virginia Woolf's A Room of One's Own."
Sarah Hardy, Hampden-Sydney College. “Orlando, Middlesex, and Narrative Crisis.”
Mark Wollaeger, Vanderbilt University. “Articulating the Other: Lawrence 'n Injuns.”

Session 13C Ellison, Gaines, and Baldwin
Location TBA
Anthony Fitzgerald Stewart, Dalhousie University. “State Mottos and Bingo: The Problem of the Unfair Game in Ralph Ellison and Percival Everett.”
Sarah Relyea, Independent scholar. “Confessions of the Novel: Narrative Risk in Giovanni's Room."
James N. Holm, Jr., University of Houston – Victoria. “Orchestrating Stories into Narrative Rhetoric: Structural Movement and Voice in Ernest J. Gaines' A Gathering of Old Men."

Session 13D Contemporary Film
Location TBA
John McGuigan, University of Wisconsin – Whitewater. “From Quagmire to Epic: The Strange Cinematic Transformation of Mark Bowden's Black Hawk Down."
Dina Smith, Drake University. “The Flashforward in Contemporary Cinema: A Look at Raising Arizona."
Amy Woodbury, Tufts University. “Lynch-Is-at-the-Telephone: Answering the Call in Lost Highway."
Scott Selisker, University of Virginia. “Baffling the Brainwashers: The Narrative Strategy of The Manchurian Candidate and a Structure of Public-Sphere Suspicion.”

Session 13E Narrative on a Grand Scale
Location TBA
Cara Murray, CUNY Graduate Center. “Public Works and Private Lives: Engineering a Nation through Biography.”
Anna Henchman, Harvard University. “Seeing Things as a Whole: Battle Scenes and the View from Somewhere in Tolstoy and Hardy.”
Lawrence Switzky, Harvard University. “Only the Fate of the World: Bernard Shaw and the Grand Scale.”

Session 13F Narrative Empathy
Location TBA
Suzanne Keen, Washington and Lee University. “Empathy and the Novel.”
Scott Sundby, Washington and Lee University. “Invoking Empathy in Life and Death Decisions.”
Molly Travis, Tulane University. “Beyond Empathy: The Question of Ethics in Post-Apartheid Novels of J.M. Coetzee and Sindiwe Magona.”

Session 13G American Women's Writings
Location TBA
Sarah Mesle, Northwestern University. “'Read Uncle Tom's Cabin Again': De-Narrating Autobiography in Mary Chestnut's Civil War."
Jennifer Harris, Mount Allison University. “Resisting Readers: Elizabeth Whitman and the Cult of Revision.”

Kelly A. Marsh, Mississippi State University. “Gender, Narrative, and the Inheritance Problem in The House of Mirth."
Session 13H War Stories
Location TBA
Jim Hicks, Smith College. “So What if Nobody Wins?: Writing a War History for Bosnia-Hercegovina.”
Anna Botta, Smith College. “War Stories for the Television Age: Juan Goytisolo's Narratives of the Sarajevo Siege.”
Jaime A. Gonzales-Ocana, Independent scholar. “Ancient and Modern Narratives of War: The Classics and the War in Iraq.”

SESSION 14 12:15 – 1:45

Contemporary Narratology Session III (Plenary): The Explicit and the Implicit
Location TBA
Chair: Gerald Prince, University of Pennsylvania.
Monika Fludernik, University of Freiburg. “Semantic Networking in Narrative.”
Mark Stansbury-O'Donnell, University of St. Thomas. “Narrative Spectators Inside and Outside of the Picture in Archaic Athenian Vase Painting.”
Robyn R. Warhol, University of Vermont. “Narrative Refusals: The Case of Dickens.”