UNIVERSITY OF BRISTOL
CENTRE FOR THE STUDY OF VISUAL AND LITERARY CULTURES IN FRANCE
SIXTH ANNUAL CONFERENCE:
FRENCH ART IN NARRATIVE AND DRAMA FROM 1820
Friday 25 February - Sunday 27 February 2005
A great many stories, novels, and plays concerning art and artists in
France were published (in French and other languages) from about 1820,
but only comparatively few of these have been intensively studied.
The broad aim of this conference is to interrogate this rich archive
of material with the collective expertise of specialists in literary,
art-historical, and theoretical disciplines.
Friday 25th February
5.00 Registration followed by dinner
7.00 Stephen Bann (University of Bristol)
Marceline Desbordes-Valmore, L'Atelier d'un peintre
7.30 Alexandra K. Wettlaufer (University of Texas at Austin)
Dibutades's Daughters: The Female Painter in French Art and
Literature 1789-1850
8.00 Marc Gotlieb (University of Toronto)
Pedagogical Disaster in Romantic Art Fiction
Saturday 26th February
9.30 Michael Vincent (American University of Paris)
Sight Unseen: Frenhofer's Vision of the Unknown Masterpiece
10.00 Tim Farrant (University of Oxford)
Art in narrative: Balzac, Caricature, and Illustration
10.30 Helle Waahlberg (Klassisk og romansk institutt, Oslo)
Balzac, Lithography and Panorama: Popular City Art around 1830
Coffee
11.30 Victoria Llort Llopart (University of Paris IV-Sorbonne)
George Sand and the Arts: the Art Critic and the Novelist
Confronted
12.00 Barbara Giraud (Oxford Brookes University)
Economie de l'échec du peintre chez les Goncourt
12.30 Juliet Simpson (Buckinghamshire Chilterns University College)
Imagining the Museum: the Goncourts' Museum Without Walls
Lunch
2.00 Anna Robins Greutzner (University of Reading)
George Moore's A Modern Lover
2.30 Joanne Heath (University of Leeds)
Hysteria, Hypnosis and the Artist's Model in George du
Maurier's Trilby
3.00 Robert Ziegler (University of Montana)
The Oedipal Murder of Naturalism in J.-K. Huysmans's Early
Fiction
3.30 Claire Moran (University College Dublin)
The Artist and his Image: the Case of Odilon Redon
Tea
4.30 Dennis Cate (Rutgers University)
The artists of Montmartre in fin-de-siècle literature
5.00 Joy Newton (University of Glasgow)
Fictional Cézannes
Vin d'honneur and Conference Dinner
Sunday 27th February
9.30 Elizabeth Emery (Montclair State University)
Art as Passion in Anatole France's Le lys rouge
10.00 Noëlle Benhamou (IUT de l'Oise, Université de Picardie)
Quand l'artiste sculpte l'amour: rêve de pierre dans La Rivale de Kistemaeckers et Delard
10.30 Peter Read (University of Saint Andrews)
Sculpture in novels by Zola and Pierre Louys
Coffee
11.30 Maria Theresa Moia (Università Cattolica del S. Cuore)
Figures fin-de-siècle: l'homme rodenbachien, entre peinture et
littérature
12.00 Jill Fell (Birkbeck College)
Double-edged tributes: the artistic identities of Beardsley,
Bernard and Gauguin perceived through the eyes of Jarry's
Doctor Faustroll
12.30 Laura Morrowitz (Wagner College, New York)
The Art of Scorn: Léon Bloy and the Plight of the Artist in La
femme pauvre
Lunch
2.00 Rachel Sloan (Courtauld Institute of Art)
A Tale of a Painting of a Poem: Jean Lorrain's 'La princesse
des chemins' and Edward Burne-Jones's King Cophetua and the
Beggar Maid
2.30 Claire O'Mahony (University of Bristol)
Dangerous Designs: Émile Gallé and Henri de Régnier's Le
mariage de minuit
3.00 Antoinette Taneva (University College London)
The Studio of the Artist as a Painful Dream
3.30 Discussion, coffee and close of conference
Agenda
Événements & colloques
Publié le par Sophie Rabau (Source : Noëlle Benhamou)