Agenda
Événements & colloques
French Art in Narrative and Drama from 1810

French Art in Narrative and Drama from 1810

Publié le par Sophie Rabau (Source : Noëlle Benhamou)

UNIVERSITY OF BRISTOL
CENTRE FOR THE STUDY OF VISUAL AND LITERARY CULTURES IN FRANCE


SIXTH ANNUAL CONFERENCE:

FRENCH ART IN NARRATIVE AND DRAMA FROM 1820

Friday 25 February - Sunday 27 February 2005



A great many stories, novels, and plays concerning art and artists in
France were published (in French and other languages) from about 1820,
but only comparatively few of these have been intensively studied.
The broad aim of this conference is to interrogate this rich archive
of material with the collective expertise of specialists in literary,
art-historical, and theoretical disciplines.


Friday 25th February

5.00 Registration followed by dinner


7.00 Stephen Bann (University of Bristol)
Marceline Desbordes-Valmore, L'Atelier d'un peintre

7.30 Alexandra K. Wettlaufer (University of Texas at Austin)
Dibutades's Daughters: The Female Painter in French Art and
Literature 1789-1850

8.00 Marc Gotlieb (University of Toronto)
Pedagogical Disaster in Romantic Art Fiction


Saturday 26th February

9.30 Michael Vincent (American University of Paris)
Sight Unseen: Frenhofer's Vision of the Unknown Masterpiece

10.00 Tim Farrant (University of Oxford)
Art in narrative: Balzac, Caricature, and Illustration

10.30 Helle Waahlberg (Klassisk og romansk institutt, Oslo)
Balzac, Lithography and Panorama: Popular City Art around 1830

Coffee

11.30 Victoria Llort Llopart (University of Paris IV-Sorbonne)
George Sand and the Arts: the Art Critic and the Novelist
Confronted

12.00 Barbara Giraud (Oxford Brookes University)
Economie de l'échec du peintre chez les Goncourt

12.30 Juliet Simpson (Buckinghamshire Chilterns University College)
Imagining the Museum: the Goncourts' Museum Without Walls

Lunch

2.00 Anna Robins Greutzner (University of Reading)
George Moore's A Modern Lover

2.30 Joanne Heath (University of Leeds)
Hysteria, Hypnosis and the Artist's Model in George du
Maurier's Trilby

3.00 Robert Ziegler (University of Montana)
The Oedipal Murder of Naturalism in J.-K. Huysmans's Early
Fiction

3.30 Claire Moran (University College Dublin)
The Artist and his Image: the Case of Odilon Redon

Tea

4.30 Dennis Cate (Rutgers University)
The artists of Montmartre in fin-de-siècle literature

5.00 Joy Newton (University of Glasgow)
Fictional Cézannes


Vin d'honneur and Conference Dinner


Sunday 27th February

9.30 Elizabeth Emery (Montclair State University)
Art as Passion in Anatole France's Le lys rouge

10.00 Noëlle Benhamou (IUT de l'Oise, Université de Picardie)
Quand l'artiste sculpte l'amour: rêve de pierre dans La Rivale de Kistemaeckers et Delard

10.30 Peter Read (University of Saint Andrews)
Sculpture in novels by Zola and Pierre Louys

Coffee

11.30 Maria Theresa Moia (Università Cattolica del S. Cuore)
Figures fin-de-siècle: l'homme rodenbachien, entre peinture et
littérature

12.00 Jill Fell (Birkbeck College)
Double-edged tributes: the artistic identities of Beardsley,
Bernard and Gauguin perceived through the eyes of Jarry's
Doctor Faustroll

12.30 Laura Morrowitz (Wagner College, New York)
The Art of Scorn: Léon Bloy and the Plight of the Artist in La
femme pauvre


Lunch

2.00 Rachel Sloan (Courtauld Institute of Art)
A Tale of a Painting of a Poem: Jean Lorrain's 'La princesse
des chemins' and Edward Burne-Jones's King Cophetua and the
Beggar Maid


2.30 Claire O'Mahony (University of Bristol)
Dangerous Designs: Émile Gallé and Henri de Régnier's Le
mariage de minuit


3.00 Antoinette Taneva (University College London)
The Studio of the Artist as a Painful Dream

3.30 Discussion, coffee and close of conference