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Samuel Beckett: Fin sans fin en l'an 2000

Samuel Beckett: Fin sans fin en l'an 2000

Publié le par Dominique Vaugeois (Source : http://www.rodopi.nl)

Samuel Beckett: Endlessness in the Year 2000.

(Samuel Beckett Today/Aujourd'hui 11) aux éditions Rodopi édité par Angela Moorjani, Carola Veit Amsterdam/New-York, 2002, 493 p.
I. Roundtable in Berlin (23 septembre 2000) II. Beckett in the German context III. Beckett in Performance IV. Dialogism/Dialogue with the reader VI. Words and Music VII. Film and the Other Arts VIII. Philosophic/Psychoanalytic Reflections IX. Mathematical/Mystical/Esoteric Musings X. Translation and Inter-Intratextual Doublings
TABLE DES MATIERES:
INTRODUCTION AVANT-PROPOS
I. Roundtable in Berlin (23 September 2000) 1. Lois Oppenheim: INTRODUCTION TO ROUNDTABLE: Beckett and the Twentieth Century 2. Martin Esslin: BECKETT AND THE QUEST FOR MEANING 3. James Knowlson: LOOKING BACK BUT LEAPING FORWARD 4. Yasunari Takahashi: ON MINDLESSNESS: Beckett, Japan, and the Twentieth Century 5. Tom Bishop: STAGING BECKETT IN FRANCE AT THE END OF THE TWENTIETH CENTURY 6. Manfred Pfister: BECKETTS TONIC LAUGHTER
II. Beckett in the German Context 7. Wilhelm Füger: THE FIRST BERLIN GODOT: Becketts Debut on the German Stage 8. Ciaran Ross: BECKETTS GODOT IN BERLIN: New Coordinates of the Void 9. Jonathan Kalb: SAMUEL BECKETT, HEINER MÜLLER AND POST-DRAMATIC THEATER 10. Florence Godeau: DER BAU DE FRANZ KAFKA ET LINNOMMABLE DE SAMUEL BECKETT: Êtres en mal daîtres 11. Friedhelm Rathjen: THE MAGIC TRIANGLE: James Joyce, Samuel Beckett, Arno Schmidt 12. Giuseppina Restivo: MELENCOLIAS AND SCIENTIFIC IRONIES IN ENDGAME: Beckett, Walther, Dürer, Musil 13. Gottfried Büttner: SCHOPENHAUERS RECOMMENDATIONS TO BECKETT
III. Beckett in Performance 14. Xerxes Mehta: SCHOLARS/ARTISTS/BECKETT 15. Rosette C. Lamont: FAST-FORWARD: Luckys Pnigos 16. Shimon Levy: SIX SHES, ONE NOT I: Proxies of Beckettian Selves 17. Annamaria Cascetta: BECKETT PERFORMED IN ITALY 18. Graley Herren: GHOST DUET, OR KRAPPS FIRST VIDEOTAPE
IV. The Body in Question 19. S.E. Gontarski: THE BODY IN THE BODY OF BECKETTS THEATER 20. Yoshiki Tajiri: BECKETT AND SYNAESTHESIA 21. Katherine Weiss: PERCEIVING BODIES IN BECKETTS PLAY 22. Merle Tönnies: PLAYERS, PLAYTHINGS AND PATTERNS: Three Stages of Heteronomy in Becketts Mature Drama 23. Karen L. Laughlin: DREAMING OF [...] LOVE: Becketts Theatre and the Making of the (Post)Modern Subject 24. Eckart Voigts-Virchow: QUAD I AND TELETUBBIES or: Aisthetic Panopticism versus Reading Beckett
V. Dialogism/Dialogue with the Reader 25. Michèle Touret: OH LES BEAUX TITRES 26. Michael Guest: BECKETT VERSUS THE READER 27. Dario P. Del Degan: PLAYING WITH PAINT OR PAINTING WITH PLAY: Positioning Becketts Play within Marins Theory of Reading Painting 28. John Thobo-Carlsen: BECKETTS DIALOGIC DE-SIGN AND RHETORIC OF
IMPOTENCE
VI. Words and Music 29. Paul Lawley: THE GRIM JOURNEY: Beckett Listens to Schubert 30. Michael Maier: GEISTERTRIO: Beethovens Music in Samuel Becketts Ghost Trio 31. Catherine Laws: MUSIC IN WORDS AND MUSIC: Feldmans Response to Becketts Play 32. Elizabeth Drew: HEAD TO FOOTSTEPS: Fundamental sounds in dread nay and Roundelay
VII. Film and the Other Arts 33. Peter Gidal: BECKETT & OTHERS & ART: A System 34. J.M.B. Antoine-Dunne: BECKETT AND EISENSTEIN ON LIGHT AND CONTRAPUNTAL MONTAGE 35. Mariko Hori Tanaka: ELEMENTS OF HAIKU IN BECKETT: The Influence of Eisenstein and Arnheims Film Theories 36. Véronique Védrenne: IMAGES BECKETTIENNES: De la mise en scène du corps à leffacement du sujet dans Trio du Fantôme
VIII. Philosophic/Psychoanalytic Reflections 37. Carla Locatelli: THEO-LESS-OLOGY: Gold Talk and God Unwording in Beckett 38. Anthony Uhlmann: THE ANCIENT STOICS, ÉMILE BRÉHIER, AND BECKETTS BEINGS OF VIOLENCE 39. Sjef Houppermans: TRAVAIL DE DEUIL, TRAVAIL DOEIL DANS MAL VU MAL DIT 40. Laura Salisbury: SO THE UNREASONING GOES: The Comic Timing of Trembling in Ill Seen Ill Said 41. Elin Diamond: THE SOCIETY OF MY LIKES: Becketts Political Imaginary
IX. Mathematical/Mystical/Esoteric Musings 42. Antonio Borriello: NUMERICAL REFERENCES IN KRAPPS LAST TAPE 43. Paul Davies: ON BECKETTS METAPHYSICS OF NON-LOCATION: Vagrancy, Void, and Formless Fire 44. Andrew Kennedy: LIGHT STILL: The Dynamics of the words that remain 45. Thomas Hunkeler: LA POÉSIE EST-ELLE VERTICALE? Remarques à propos dune signature 46. Jeremy Parrott: THE GNOSTIC GOSPEL OF SAM: Watt as Modernist Apocryphon
X. Translation and Inter-Intratextual Doublings 47. Antonia Rodríguez-Gago: TRANSLATING AND ADAPTING COMPANY FOR THE SCREEN 48. Helen Astbury: HOW TO DO THINGS WITH SYNTAX: Becketts Binary-Turned Sentences in French and Their Translation into English 49. Julie Campbell: ECHOS BONES AND BECKETTS DISEMBODIED VOICES 50. Daniela Caselli: BELACQUAS SHADOWS IN DREAM OF FAIR TO MIDDLING WOMEN AND HOW IT IS 51. Yann Mével: BECKETT ET LE TERRAIN VAGUE DE LA MÉLANCOLIE 52. Paul Shields: BECKETTS LABOUR LOST: Company and the Paradox of Creation