

BAINBRIGGE, Susan, Culture and Identity in Belgian Francophone Writing. Dialogue, Diversity and Displacement, Oxford, Bern / Berlin / Bruxelles / Frankfurt am Main / New York / Wien, Peter Lang (Modern French Identities), 2009, 230 p.
ISBN 978-3-03911-382-8
RÉSUMÉ
Few full-length studies exist in English on French-speaking authors
from Belgium. What, if any, are the particular features of francophone
Belgian writing? This book explores questions of cultural and literary
identity, and offers an overview of currents in critical debate
regarding the place of francophone Belgian writing and its relationship
to its larger neighbour, but also engages with broader questions
concerning the classification of 'francophone' literature.
The
study brings together well-known and less well-known modern and
contemporary writers (Suzanne Lilar, Neel Doff, Dominique Rolin,
Jacqueline Harpman, Françoise Mallet-Joris, Jean Muno, Nicole
Malinconi, and Amélie Nothomb) whose works share a number of recurring
themes and features, notably a preoccupation with questions of identity
and alterity. Overall, the study highlights the diverse ways in which
these questions of cultural identity and alterity emerge as a dominant
theme throughout the corpus, viewed through a series of literary and
cultural frameworks which bring together perspectives both local and
global.
TABLE DES MATIÈRES
Francophone Belgian writing: from Neel Doff to Amélie Nothomb (a literary and cultural analysis of selected writings by Neel Doff, Suzanne Lilar, Dominique Rolin, Jacqueline Harpman, Françoise Mallet-Joris, Jean Muno, Nicole Malinconi, and Amélie Nothomb) - Identity and alterity: intertextuality and its relationship to canon formation - Depictions of the themes of marginality and belonging, exile and alienation - Belgium and beyond - Experimental writing practices: autobiography and autofictions - Genre innovations - The place of Belgian francophone writing in francophone (and other) frameworks.
BIOGRAPHIE
Susan Bainbrigge is Senior Lecturer in French at the University of
Edinburgh, Scotland. She has published on a variety of authors in
twentieth-century and contemporary fiction and autobiography, including
Writing against Death: The Autobiographies of Simone de Beauvoir.
A. Cousin de Ravel, Quignard, Maître de lecture. Lire, vivre, écrire
P. Engel, Les Lois de l'esprit. Julien Benda ou la raison
M. Crouzet, M. Myself ou La Vie de Stendhal (nouvelle version)
Laurence Brogniez (dir.), Écrits voyageurs. Les artistes et l'ailleurs
O. Biaggini, B. Milland-Bove (dir.), Miracles d'un autre genre
Sévigné, Lettres de l'année 1671
A. Pope & J. Swift, Pensées sur différents sujets
H. Melville, Le Marchand de paratonnerres, suivi de La Véranda
S. Kierkegaard, La Crise et une crise dans la vie d'une actrice
E. Maigret et M. Stefanelli (dir.), La Bande dessinée : une médiaculture
I. Raynauld, Lire et écrire un scénario - Le Scénario de film comme texte
J.-F. Bédia, Les Ecritures africaines face à la logique actuelle du comparatisme
Eusèbe de Césarée, Histoire ecclésiastique. Commentaire - Tome I : Études d'introduction
P. Engel, Les lois de l'esprit, Julien Benda ou la raison
P. E. Fobah, Introduction à une poétique et une stylistique de la littérature africaine
O. Rosenthal, Ils ne sont pour rien dans mes larmes
A. Alciato, Il libro degli Emblemi, secondo le edizioni del 1531 e del 1534
Marc Azéma, La Préhistoire du cinéma