


Patricia Meyer Spacks, Reading Eighteenth-Century Poetry, Wiley-Blackwell, jan. 2009, 304 p.
Présentation de l'éditeur:
Reading Eighteenth-Century Poetry
recaptures for modern readers the urgency, distinctiveness and
rewarding nature of this challenging and powerful body of poetry.
An essential guide to reading eighteenth-century poetry, written by world-renowned critic, Patricia Meyer Spacks
Exposes the multiplicity of forms, tones, and topics engaged by poets during this period
Provides
in-depth analysis of poems by established figures such as Alexander
Pope and Jonathan Swift, as well as work by less familiar figures,
including Anne Finch and Mary Leapor
A broadly chronological structure incorporates close reading alongside insightful contextual and historical detail
Captures
the power and uniqueness of eighteenth-century poetry, creating an
ideal guide for those returning to this period, or delving into it for
the first time
PATRICIA MEYER SPACKS is Edgar F. Shannon Professor of
Eighteenth-Century Literature at the University of Virginia. She is the
author of numerous books, and amongst other honors, was Vice President
of the American Academy of Arts and Sciences from 2001-2006.
Preamble.
1. How to Live: The Moral and the Social.
2. Matters of Feeling: Poetry of Emotion.
3. The Power of Detail: Description in Verse.
4. High Language and Low: The Diction of Poetry.
5. Alexander Pope and Lady Mary Wortley Montagu.
6. How to Live: The Place of Work.
7. Matters of Feeling: Forms of the Personal.
8. Structures of Energy, Structures of Leisure: Ode and Blank Verse.
9. Old Poetry, Old Language: Imitation and Fraud.
10. Outliers: Mary Leapor and Christopher Smart.
11. How to Live: Poetry and Politics.
12. Matters of Feeling: Emotion Celebrated.
13. Narrative and Reflection.
14. Poetic Languages: Diction Old and New.
15. Mary Robinson and William Cowper.
Bibliography.
Index
A. Cousin de Ravel, Quignard, Maître de lecture. Lire, vivre, écrire
P. Engel, Les Lois de l'esprit. Julien Benda ou la raison
M. Crouzet, M. Myself ou La Vie de Stendhal (nouvelle version)
Laurence Brogniez (dir.), Écrits voyageurs. Les artistes et l'ailleurs
O. Biaggini, B. Milland-Bove (dir.), Miracles d'un autre genre
Sévigné, Lettres de l'année 1671
A. Pope & J. Swift, Pensées sur différents sujets
H. Melville, Le Marchand de paratonnerres, suivi de La Véranda
S. Kierkegaard, La Crise et une crise dans la vie d'une actrice
E. Maigret et M. Stefanelli (dir.), La Bande dessinée : une médiaculture
I. Raynauld, Lire et écrire un scénario - Le Scénario de film comme texte
J.-F. Bédia, Les Ecritures africaines face à la logique actuelle du comparatisme
Eusèbe de Césarée, Histoire ecclésiastique. Commentaire - Tome I : Études d'introduction
P. Engel, Les lois de l'esprit, Julien Benda ou la raison
P. E. Fobah, Introduction à une poétique et une stylistique de la littérature africaine
O. Rosenthal, Ils ne sont pour rien dans mes larmes
A. Alciato, Il libro degli Emblemi, secondo le edizioni del 1531 e del 1534
Marc Azéma, La Préhistoire du cinéma