


Geri L. Smith, The Medieval French Pastourelle Tradition: Poetic Motivations and Generic Transformations.
Gainesville: University Press of Florida, 2009, x-321 p.
ISBN: 978-0-8130-3336-5
$75.00.
Compte rendu par Brooke Heidenreich Findley (Penn State Altoona) dans The Medieval Review (TMR 09.12.06)
"By showing how three major authors self-consciously adapted the pastourelle
to suit their own purposes, this book sheds light on the larger concept
of the genre. The close analysis of large bodies of text will help
readers appreciate the skill with which these authors manipulated a
traditional genre in the context of rapidly changing social and
cultural conditions."--Kristen Figg, Kent State University-Salem
One of the most popular genres created and performed by Medieval troubadours and trouvères was the pastourelle.
Though it varied greatly in its details, the genre was dominated by the
following theme: a passing knight encounters and attempts to seduce a
shepherdess who, in turn, defends herself against his advances in a
variety of ways. The brilliance of the artists who manipulated the
genre was revealed in their ability to innovate, synthesize, and
elaborate upon the constraints of the form.
In this work--the first major evaluation of the Northern French pastourelle
to appear in decades--Geri Smith examines the genre in the hands of
three Medieval masters: Adam de la Halle, Jean Froissart, and Christine
de Pizan. She explores the very different ways in which these
individuals engaged with the form and subject matter of the pastourelle
and transformed it, variously, into a stage for their dramatic
artistry, a forum for their responses to social and ideological
conditions, and, ultimately, into a distinctive statement bearing their
individual mark. The result sheds new light on the evolving concept of
author in the Middle Ages.
Geri L. Smith is associate professor of French at the United States Military Academy, West Point.
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