G. Croenen, P. F. Ainsworth (éd.), Patrons, Authors and Workshops: Books and Book Production in Paris around 1400
Godfried Croenen, Peter F. Ainsworth, eds. Patrons, Authors and Workshops: Books and Book Production in Paris around 1400
Louvain, Peeters, 2006, 529p.
EAN : 9789042917071
69 €
Recensions de cet ouvrage par
- Par Jean Luc Deuffic (PECIA, le manuscrit médiéval):http://blog.pecia.fr/post/2008/02/16/Patrons-Authors-and-Workshops-:-Books-and-Book-Production-in-Paris-around-1400.
- Par Sarah Fourcade (CRM): http://crm.revues.org/index3493.html
- Amanda Luyster (TMR): http://quod.lib.umich.edu/t/tmr/
Présentation de l'éditeur;
Patrons, Authors and Workshops invokes a cross-disciplinary approach tothe study of late medieval books and book production in Paris, from thetroubled years of the early fifteenth century onwards. It shows the extent towhich such activity was able to flourish even against the backdrop of theendemic struggle between Burgundians and Armagnacs, or the subsequent Englishinvasion which led to Agincourt and the regency of Bedford. Extensive coverageis given to the key role played by the libraire, to the author as scribe orcopyist (Christine de Pisan, Jean Lebègue), and also to the development ofcommercial production under figures such as Jean Trepperel. A section onbibliophiles and their various commissions leads into a group of essays thatfocus on particular texts and authors, whilst a further section concentrates onwhat we can discover about the role of the scribe. The volume concludes withfour essays offering insights into the work of particular artists andilluminators. (Peeters ed.)
Sommaire:
Introduction
Patrons, Authors and Workshops : Books and Book Production in Paris around 1400
Godfried Croenen
Part I. Libraires an commercial book production
Métiers et espace: topographie de la fabrication et du commerce du livre à Paris (XIIIe-XVe siècle)
Kouky Fianu
Pierre le Portier and the Makers of the Antiphonals of Saint-Jacques
Richard H. Rouse
Archives in the Service of Manuscript Study: The Well-Known Nicolas Flamel
Mary A. Rouse
The Rapondi, the Volto Santo di Lucca, and Manuscript Illumination in Paris ca. 1400
Hilary Maddocks
L'atelier de Jean Trepperel, imprimeur-libraire parisien (1492-1511)
Stéphanie Öhlund-Rambaud
Part II. Bibliophiles: their collections and their commissions
Jean Lebègue (1368-1457), auteur, copiste et bibliophile
Gilbert Ouy
Making the Past Present: Visual Translation in Jean Lebègue's “Twin” Manuscript of Sallust
Anne D. Hedeman
Beauty or Truth? Making a Bible Moralisée in Paris around 1400
John Lowden
Part III. Authors and Texts
Simon de Lille et sa commande du Parfait du Paon. Pour en finir avec les Roman de Perceforest
Janet F. van der Meulen
Les relations entre poète et mécène dans La Prison Amoureuse de Jean Froissart
Silvère Ménégaldo
Problèmes philologiques du livre IV des Chroniques de Jean Froissart
Alberto Varvaro
Le Livre de Mandeville à Paris autour de 1400
Susanne Röhl
Christine de Pizan: the Making of the Queen's Manuscript
(London, British Library, Harley 4431)
James Laidlaw
Part IV. Scribes
Crossing the Channel: John Shirley and the Circulation of French Lyric Poetry in England in the early Fifteenth Century
Margaret Connolly and Yolanda Plumley
Les copistes en France du Nord autour de 1400: un monde aux multiples visages
Émilie Cottereau
Georgios Hermonymos: a Greek Scribe and Teacher in Paris
Maria Kalatzi
Part V. Artists and Illuminators
The Properties of Things and Textual Power: Illustrating the French Translation of De Proprietatibus Rerum and a Latin Precursor
Sue Ellen Holbrook
Illuminating the Roman de la Rose in the Time of the Debate: The Manuscript of Valencia
Heidrun Ost
The Workshop of the Master of the Duke of Bedford: Definitions and Identities
Catherine Reynolds
The Illustration of the Songe du Vergier and some Fifteenth-Century Manuscripts
Jenny Stratford