


Erik Gunderson, Nox philologiae: Aulus Gellius and the fantasy of the Roman library, Madison, Wis.: University of Wisconsin Press, 2009. ix, 313 pages.
Présentation de l'éditeur:
In this
strikingly original and playful work, Erik Gunderson examines questions
of reading the past—an enterprise extending from antiquity to the
present day. This esoteric and original study focuses on the equally
singular work of Aulus Gellius—a Roman author and grammarian (ca.
120–180 A.D.), possibly of African origin. Gellius's only work, the twenty-volume Noctes Atticae,
is an exploding, sometimes seemingly random text-cum-diary in which
Gellius jotted down everything of interest he heard in conversation or
read in contemporary books. Comprising notes on Roman and classical
grammar, geometry, philosophy, and history, it is a one-work overview
of Latin scholarship, thought, and intellectual culture, a combination
condensed library and cabinet of curiosities.
Gunderson tackles Gellius with
exuberance, placing him in the larger culture of antiquarian
literature. Purposely echoing Gellius's own swooping word-play and
digressions, he explores the techniques by which knowledge was produced
and consumed in Gellius's day, as well as in our own time. The
resulting book is as much pure creative fun as it is a major work of
scholarship informed by the theories of Michel Foucault, Gilles
Deleuze, and Jacques Derrida.
Erik Gunderson is associate professor of classics at the University of Toronto. His other books include Declamation, Paternity and Roman Identity: Authority and the Rhetorical Self and Staging Masculinity: The Rhetoric of Performance in the Roman World.
A. Cousin de Ravel, Quignard, Maître de lecture. Lire, vivre, écrire
P. Engel, Les Lois de l'esprit. Julien Benda ou la raison
Laurence Brogniez (dir.), Écrits voyageurs. Les artistes et l'ailleurs
O. Biaggini, B. Milland-Bove (dir.), Miracles d'un autre genre
Sévigné, Lettres de l'année 1671
A. Pope & J. Swift, Pensées sur différents sujets
H. Melville, Le Marchand de paratonnerres, suivi de La Véranda
S. Kierkegaard, La Crise et une crise dans la vie d'une actrice
E. Maigret et M. Stefanelli (dir.), La Bande dessinée : une médiaculture
I. Raynauld, Lire et écrire un scénario - Le Scénario de film comme texte
J.-F. Bédia, Les Ecritures africaines face à la logique actuelle du comparatisme
Eusèbe de Césarée, Histoire ecclésiastique. Commentaire - Tome I : Études d'introduction
P. Engel, Les lois de l'esprit, Julien Benda ou la raison
P. E. Fobah, Introduction à une poétique et une stylistique de la littérature africaine
O. Rosenthal, Ils ne sont pour rien dans mes larmes
A. Alciato, Il libro degli Emblemi, secondo le edizioni del 1531 e del 1534
Marc Azéma, La Préhistoire du cinéma
I. Mons, Lou Andreas-Salomé. En toute liberté