


Christopher BRACKEN, Magical Criticism : The Recourse of Savage Philosophy, Chicago, University of Chicago Press, 2007, 256 p.
ISBN 978-0-226-06991-3
ISBN-10 0-226-06991-5
RÉSUMÉ
During the Enlightenment, Western scholars racialized ideas, deeming
knowledge based on reality superior to that based on ideality. Scholars
labeled inquiries into ideality, such as animism and soul-migration,
“savage philosophy,” a clear indicator of the racism motivating the
distinction between the real and the ideal. In their view, the savage
philosopher mistakes connections between signs for connections between
real objects and believes that discourse can have physical effects—in
other words, they believe in magic.
Christopher Bracken's Magical Criticism
brings the unacknowledged history of this racialization to light and
shows how, even as we have rejected ethnocentric notions of “the
savage,” they remain active today in everything from attacks on
postmodernism to Native American land disputes. Here Bracken reveals
that many of the most influential Western thinkers dabbled in savage
philosophy, from Marx, Nietzsche, and Proust, to Freud, C. S. Peirce,
and Walter Benjamin. For Bracken, this recourse to savage philosophy
presents an opportunity to reclaim a magical criticism that can explain
the very real effects created by the discourse of historians,
anthropologists, philosophers, the media, and governments.
S. Kierkegaard, La Crise et une crise dans la vie d'une actrice
E. Maigret et M. Stefanelli (dir.), La Bande dessinée : une médiaculture
I. Raynauld, Lire et écrire un scénario - Le Scénario de film comme texte
J.-F. Bédia, Les Ecritures africaines face à la logique actuelle du comparatisme
Eusèbe de Césarée, Histoire ecclésiastique. Commentaire - Tome I : Études d'introduction
P. Engel, Les lois de l'esprit, Julien Benda ou la raison
P. E. Fobah, Introduction à une poétique et une stylistique de la littérature africaine
O. Rosenthal, Ils ne sont pour rien dans mes larmes
A. Alciato, Il libro degli Emblemi, secondo le edizioni del 1531 e del 1534
Marc Azéma, La Préhistoire du cinéma
I. Mons, Lou Andreas-Salomé. En toute liberté
N. Redouane, Lecture(s) de Rachid Mimouni
Chr. Martin (dir.), Fictions de l'origine (1650-1800)
C. Meyer-Plantureux, Romain Rolland - Théâtre et engagement
C. Aliberti, Du spasme existentiel à la quête de rédemption
M. Kadima-Nzuji, Théâtre et destin national au Congo-Kinshasa - 1965-1990
Jean-Yves Tadié, Le lac inconnu - Entre Proust et Freud
N. Frogneux (dir)., J. Patocka. Liberté, existence et monde commun