


Carol SYMES, A Common Stage. Theater and Public Life in Medieval Arras, Ithaca, Cornell University Press, 2007, 360 p.
ISBN 978-0-8014-4581-1
RÉSUMÉ
Medieval Arras was a thriving town on the frontier between the kingdom
of France and the county of Flanders, and home to Europe's earliest
surviving vernacular plays: The Play of St. Nicholas, The Courtly Lad of Arras, The Boy and the Blind Man, The Play of the Bower, and The Play about Robin and about Marion. In A Common Stage,
Carol Symes undertakes a cultural archeology of these artifacts,
analyzing the processes by which a handful of entertainments were
conceived, transmitted, received, and recorded during the thirteenth
century. She then places the resulting scripts alongside other
documented performances with which plays shared a common space and
vocabulary: the crying of news, publication of law, preaching of
sermons, telling of stories, celebration of liturgies, and arrangement
of civic spectacles. She thereby shows how groups and individuals
gained access to various means of publicity, participated in public
life, and shaped public opinion. And she reveals that the theater of
the Middle Ages was not merely a mirror of society but a social and
political sphere, a vital site for the exchange of information and
ideas, and a vibrant medium for debate, deliberation, and dispute.
The
result is a book that closes the gap between the scattered textual
remnants of medieval drama and the culture of performance from which
that drama emerged. A Common Stage thus challenges the
prevalent understanding of theater history while offering the first
comprehensive history of a community often credited with the invention
of French as a powerful literary language.
BIOGRAPHIE
Carol Symes is Assistant Professor of History at the University of Illinois, Urbana-Champaign.
S. Kierkegaard, La Crise et une crise dans la vie d'une actrice
E. Maigret et M. Stefanelli (dir.), La Bande dessinée : une médiaculture
I. Raynauld, Lire et écrire un scénario - Le Scénario de film comme texte
J.-F. Bédia, Les Ecritures africaines face à la logique actuelle du comparatisme
Eusèbe de Césarée, Histoire ecclésiastique. Commentaire - Tome I : Études d'introduction
P. Engel, Les lois de l'esprit, Julien Benda ou la raison
P. E. Fobah, Introduction à une poétique et une stylistique de la littérature africaine
O. Rosenthal, Ils ne sont pour rien dans mes larmes
A. Alciato, Il libro degli Emblemi, secondo le edizioni del 1531 e del 1534
Marc Azéma, La Préhistoire du cinéma
I. Mons, Lou Andreas-Salomé. En toute liberté
N. Redouane, Lecture(s) de Rachid Mimouni
Chr. Martin (dir.), Fictions de l'origine (1650-1800)
C. Meyer-Plantureux, Romain Rolland - Théâtre et engagement
C. Aliberti, Du spasme existentiel à la quête de rédemption
M. Kadima-Nzuji, Théâtre et destin national au Congo-Kinshasa - 1965-1990
Jean-Yves Tadié, Le lac inconnu - Entre Proust et Freud
N. Frogneux (dir)., J. Patocka. Liberté, existence et monde commun