


Thomas J.D. ARMBRECHT, At the Periphery of the Center. Sexuality and Literary Genre in the Works of Marguerite Yourcenar and Julien Green,
Amsterdam / New York, Rodopi (Chiasma), 2007, 139 p.
SUMMARY
At the Periphery of the Center is the first comparison of two of
France’s most important twentieth-century authors, Julien Green and
Marguerite Yourcenar. It examines textual elements in their plays and
novels to draw conclusions about the ways that they represent
homosexuality in their texts. Both Yourcenar and Green turned to drama
to explore aspects of same-sex desire that they felt unable to express
in their prose. The analysis of their plays shows that an emphasis on
dialogue and action makes drama a particularly appropriate genre for
writing about homosexuality because it affords an author distance and
therefore protection from the “proclivities” of his characters. The
chapters on the novel show, by contrast, how prose fiction allows an
author to explain a character's sexuality with a degree of subtlety
difficult to achieve in theatre. Variations in narration and paratext
allow writers to avoid condemning discourses and to find an original
means of expression instead. At the Periphery brings a new,
textually centered approach to Green’s and Yourcenar’s works that is
unlike the psychological analyses that often typify queer readings. It
will be of great interest to scholars of twentieth-century French
literature and of Gender Studies. The book will also appeal to
non-academic readers, however, since it is about two French authors who
were also American citizens and who wrote about US history and
contemporary culture.
CONTENTS
Introduction
Biographical Orientations
Reading and Writing the Other
Dialogue
Narration
Didascalia
Paratext
1. Le théâtre: “Evolution intérieure” (Green)
2. “Vérités banales qui nous transforment” (Yourcenar)
3. “Caractères invisibles”/“Mots décisifs” (Green)
4. “La liberté sensuelle” (Yourcenar)
Conclusion: “Se Dire:” Self-Realization through Writing
Selected Bibliography
P. Engel, Les lois de l'esprit, Julien Benda ou la raison
P. E. Fobah, Introduction à une poétique et une stylistique de la littérature africaine
O. Rosenthal, Ils ne sont pour rien dans mes larmes
A. Alciato, Il libro degli Emblemi, secondo le edizioni del 1531 e del 1534
Marc Azéma, La Préhistoire du cinéma
I. Mons, Lou Andreas-Salomé. En toute liberté
N. Redouane, Lecture(s) de Rachid Mimouni
Chr. Martin (dir.), Fictions de l'origine (1650-1800)
C. Meyer-Plantureux, Romain Rolland - Théâtre et engagement
C. Aliberti, Du spasme existentiel à la quête de rédemption
M. Kadima-Nzuji, Théâtre et destin national au Congo-Kinshasa - 1965-1990
Jean-Yves Tadié, Le lac inconnu - Entre Proust et Freud
N. Frogneux (dir)., J. Patocka. Liberté, existence et monde commun
Verlaine, Romances sans paroles (éd. Arnaud Bernadet)
Sandrine Dubel et Alain Montandon (dir.), Mythes sacrificiels et ragoûts d'enfants
Jules Verne, Voyages extraordinaires (éd. J.-L. Steinmetz)
T. Karsenti, Le Mythe de Troie dans le théâtre français (1562-1715)
J. Verne, Les Enfants du capitaine Grant – Vingt mille lieues sous les mers
S. Courant, Approche anthropologique des écritures de voyage