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Arts et Savoirs, n° 6 :

Arts et Savoirs, n° 6 : "Women’s portraits of the self. Representing knowledge and making identity in early modernity"

Publié le par Marc Escola (Source : Carmen Husti)

Référence bibliographique : Arts et Savoirs, Arts et Savoirs, 2016. EAN13 : 2258093X.

 

Le numéro 6, Women’s portraits of the self. Representing knowledge and making identity in early modernity , sous la direction de Caroline Trotot et Natania Meeker, vient de paraître dans la revue Arts et Savoirs.

 

Pour consulter ce numéro, suivre ce lien: https://aes.revues.org/696.

Au sommaire:

Caroline Trotot
Introduction

Humanist knowledge and practices of resistance

Cathy Yandell
The Dialogic Body and the Humanist Woman in the Self-Portraiture of Catherine des Roches

Colette H. Winn
The Martyr Queen. Constructions of Identity in Mary Stuart’s Last Letters

Caroline Trotot
The Memoirs of Marguerite de Valois. Experience of Knowledge, Knowledge of Experience

Hélène Bah Ostrowiecki
Ignorant and intractable”. Elisabeth in her Letters to Descartes

Michael A. Soubbotnik
Self-Portrait of a Lady as an Absent Latinist. Lucy Hutchinson and the Recording of Encounter and Loss

Thomas M. Carr Jr.
Jansenist Women Negotiate the Pauline Interdiction. The Case of the Would-Be Nun, Marie-Catherine Homassel Hecquet

Painting the self: craft, skills, knowledge

Natania Meeker et Antónia Szabari
Inhabiting Flower Worlds: The Botanical Art of Madeleine Françoise Basseporte

Catriona Seth
“What Do I Know? Who am I?” Self-Portraits and the Literature of Intimacy in the Eighteenth Century”

Marie-Emmanuelle Plagnol
Fragmented and Oblique Autobiographies and Memoirs. The Case of Madame de Genlis

Melissa Hyde
« Peinte par elle-même? » Women artists, teachers and students from Anguissola to Haudebourt-Lescot

Séverine Sofio
“Portrait of the Artist at Work”. Painting Self-Portraits in Late Eighteenth-Century France