Carlo Caruso, Andrew Laird (dir.), Italy and the Classical Tradition: Language, Thought and Poetry 1300-1600, London: Duckworth, 2009. Pp. x, 269.
Recension par Ioannis Deligiannis (Research Centre for Greek and Latin Literature of the Academy of Athens, Greece) dans Bryn Mawr Classical Review 2010.01.56.
Présentation de l'éditeur:
Italy's original fascination with its cultural origins in Greece and Rome first created what is now known as 'the Classical tradition' - the pervasive influence of ancient art and thought on later times. In response to a growing interest in Classical reception, this volume provides a timely reappraisal of the Greek and Roman legacies in Italian literary history. There are fresh insights on the early study of Greek and Latin texts in post-classical Italy and reassessments of the significance attached to ancient authors and ideas in the Renaissance, as well as some innovative interpretations of canonical Italian authors, including Dante, Petrarch and Alberti, in the light of their ancient influences and models. The wide range of essays in this volume - all by leading specialists - should appeal to anyone with an interest in Italian literature or the Classical tradition.
Contributors: Giulio Lepschy (University College London); Philip Burton (University of Birmingham); Nigel Wilson (Lincoln College, Oxford); Martin McLaughlin (Magdalen College, Oxford); Letizia Panizza (Royal Holloway, University of London); Jill Kraye (Warburg Institute, London); Claudia Villa (University of Bergamo); Jonathan Usher (University of Edinburgh); Stefano Carrai (University of Siena); George Hugo Tucker (University of Reading).
Table des matières:
Preface and Acknowledgments (pp. vii-viii)
List of Contributors (pp. ix-x)
Carlo Caruso & Andrew Laird, Introduction: The Italian Classical Tradition, Language and Literary History (pp. 1-25)
Part I. Latin, Greek and Italian
Giulio Lepschy, The Classical Languages and Italian: Some Questions of Grammar and Rhetoric (pp. 29-40)
Philip Burton, 'Itali dicunt ozie': Describing Non-Standard and Low-Register Speech in Latin (pp. 41-61)
Nigel Wilson, 'Utriusque linguae peritus': How Did One Learn Greek and Acquire the Texts? (pp. 62-70)
Part II. Hellenism and the Latin Humanists
Martin McLaughlin, Alberti and the Classical Canon (pp. 73-100)
Letizia Panizza, Plutarch's Camma: A Greek Literary Heroine's Adventures in Renaissance Italy (pp. 101-117)
Jill Kraye, Italy, France and the Classical Tradition: The Origins of the Philological Commentary on Aristotle's Nicomachean Ethics (pp. 118-140)
Part III. The Classical Tradition in Poetry
Claudia Villa, 'Unicuique suum': Observations on Dante as a Reader of Classical Authors (pp. 143-160)
Jonathan Usher, Petrarch's Diploma of Crowning: The Privilegium laureationis (pp. 161-192)
Stefano Carrai, Putting Italian Renaissance Lyric in Order: Petrarch's Canzoniere and the Latin Liber carminum (pp. 193-203)
George Hugo Tucker, A Roman Dialogue with Virgil and Homer: Capilupi, the Cento and Rome (pp. 204-238)
Subject Bibliography: Further Reading on Italy and the Classical Tradition (pp. 239-245)
Index of Manuscripts and Printed Copies (p. 247)
Index of Principal Passages Cited (pp. 248-252)
General Index (pp. 253-269)
M. Belhaj Kacem, Inesthétique et mimésis
M. Deguy, L'état de la désunion
Joris-Karl Huysmans, Écrits sur la littérature
J.-L. Nancy, L'Adoration, Déconstruction du christianisme (2)
A. Herschberg Pierrot (dir.), Savoirs en récits I. Flaubert : la politique, l'art et l'histoire
Bertrandon de la Broquère, Le Voyage d'Orient
A. Giraffi, La Révolution de Naples
M. Yourcenar, Les trente-trois noms de Dieu (rééd.)
E. Vila-Matas, Perdre des théories
J.-P. Martin, Eloge de l'apostat, essai sur la vita nova
A. Schiffrin, L'Argent et les mots
G. Mauger, C. Poliak, B. Pudal, Histoires de lecteurs
E. Marty, Roland Barthes, la littérature et le droit à la mort
J. Porée et G. Vincent (dir.), Paul Ricoeur, la pensée en dialogue
J. Herman et alii (dir.), L'Assiette des fictions. Enquêtes sur l'autoréflexivité romanesque
M. Traversier, Gouverner l'opéra. Une histoire politique de la musique à Naples 1767-1815
R. Pommier, René Girard. Un allumé qui se prend pour un phare
Marcel Proust, Cahier 71 "Dux" (2 vol.)