Fabula, la recherche en littérature ()

F. J. Ricardo (dir.), Cyberculture and New Media.

Parution livre

Information publiée le lundi 5 janvier 2009 par Fabula


_blank

Cyberculture and New Media.

Francisco J. RICARDO (Ed.)

Amsterdam/New York, NY: Rodopi, coll. "At the Interface/Probing the Boundaries" n° 56, 2009, VII-312 p.


Isbn 13 (ean): 978-90-420-2518-9



Présentation de l'éditeur

In the extension of digital media from optional means to central site of activity, the domains of language, art, learning, play, film, and politics have been subject to radical reconfigurations as mediating structures. This book examines how this changed relationship has in each case shaped a new form of discourse between self and culture and illustrates explicitly the character of mediated agency beyond the formal separateness from lived experience that was once conveniently termed the virtual and which has come to influence common assumptions about creative expression itself.

Table

Preface: ‘Until Something Else' – A Theoretical Introduction

PART 1 The Empirical

Francisco J. RICARDO: Formalisms of Digital Text

Sheizaf RAFAELI, Tsahi HAYAT, Yaron ARIEL: Knowledge Building and Motivations in Wikipedia: Participation as “Ba”

Mahmoud EID: On the Way to the Cyber-Arab-Culture: International Communication, Telecommunications Policies, and Democracy

Rita ZALTSMAN: The Challenge of Intercultural Electronic Learning: English as Lingua Franca

PART 2 The Aesthetic

Nicole RIDGWAY and Nathaniel STERN: The Implicit Body

Leman GIRESUNLU: Cyborg Goddesses: the Mainframe Revisited

Maria BÄCKE: De-Colonizing Cyberspace: Post-Colonial Strategies in Cyberfiction

Tony RICHARDS: The Différance Engine: Videogames as Deconstructive Spacetime

Alev ADIL and Steve KENNEDY: Technology on Screen: Projections, Paranoia and Discursive practice

Seppo KUIVAKARI: Desistant Media

List of Contributors

Index

L'auteur

Francisco J. Ricardo is Research Associate at the University Professors Program and co-director of the Digital Video Research Archive at Boston University, and teaches digital media theory at the Rhode Island School of Design. He has degrees from Harvard University and Boston University. His research examines historical, conceptual, and computational intersections between contemporary and new media art.


Citer


Derniers ouvrages parus :

C. Carsana, M. T. Schettino (dir.), Utopia e utopie nel pensiero storico antico

E. Sistakou, Reconstructing the Epic: Cross-readings of the Trojan Myth in Hellenistic Poetry

J. et W. Grimm, Contes pour les enfants et la maison

G. Cerri, La poetica di Platone: una teoria della comunicazione

P. Vilain, L'Autofiction en théorie

Villiers de l'Isle-Adam, Le Bourgeois mis en pièces

Cahiers de l'Echinox vol. 16 - 2009: Fortunes et infortunes des genres littéraires

D. Finello, The Evolution of the Pastoral Novel in Early Modern Spain

L. Hébert et L. Guillemette (dir.), Intertextualité, interdiscursivité et intermédialité

B. Didier (éd), OEuvres complètes de Chateaubriand, volume I-II

J. Vion-Dury, Le Retour. Au principe de la création littéraire

Cardinal de Retz, OEuvres complètes t. VI, Correspondances, Affaires privées.

N. Vuillemin, Les Beautés de la nature à l'épreuve de l'analyse

I. Jozan, Baudelaire traduit par les poètes hongrois

H. Parenty, Isaac Casaubon helléniste : des studia humanitatis à la philologie

Chr. Pigné, De la Fantaisie chez Ronsard

P. Tortonese (dir.), Erich Auerbach. La littérature en perspective

B. Zaugg & G. Préher (dir.), L'Amérique d'Est en Ouest : The Grapes of Wrath de John Steinbeck, A Multitude of Sins de Richard Ford

A. Pichon, Le Cinéma de Leos Carax. L'expérience du déjà-vu

Les Nouveaux Cahiers de la Comédie-Française n°5: Alfred Jarry

M. Kunesova (dir.), Alfred Jarry et la culture tchèque

R. Daval, Enthousiasme, ivresse et mélancolie

J. Wasiolka (éd.), Genres en mouvements

A. Holland, Excess and Transgression in Simone de Beauvoir's Fiction: The Discourse of Madness

Gabriel Naudé, Traité sur l'éducation humaniste (1632-1633)


Fil d'information RSS