

Classics in Post-Colonial Worlds.
Sous la direction de Lorna Hardwick et Carol Gillespie
Oxford: Oxford University Press, coll. "Classical Presences", 2007, xv-422p.
Isbn (ean13): 978-0-19-929610-7.
Compte rendu par Rachel D. Friedman (Vassar College) dans Bryn Mawr Classical Review: 2008.08.05
Présentation de l'éditeur:
Classical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects to become first a means of challenging colonialism and then a rich field for creating cultural identities that blend the old and the new. Nobel prize-winners such as Derek Walcott and Seamus Heaney have rewritten classical material in their own cultural idioms while public sculpture in southern Africa draws on Greek and Roman motifs to represent histories of African resistance and liberation. These developments are explored in this collection of essays by international scholars, who debate the relationship between the culture of Greece and Rome and the changes that have followed the end of colonial empires.
Introduction , Lorna Hardwick
2. Encounter and New Traditions
Perspectives on Post-Colonialism in South Africa: The Voortrekker Monument's Classical Heritage , Richard Evans Imperial Reflections: The Post-Colonial Verse-Novel as Post-Epic , Katharine Burkitt A Divided Child, or Derek Walcott's Post-Colonial Philology , Cashman Kerr Prince Arriving Backwards: The Return of The Odyssey in the English-Speaking Caribbean , Emily Greenwood `If you are a woman': Theatrical Wominizing in Sophocles' Antigone and Fugard, Kani, and Ntshona's The Island , Rush Rehm Finding a Post-colonial Voice for Antigone: Seamus Heaney's Burial at Thebes , Stephen E. Wilmer3. Challenging Theory: Framing Further Questions
`The same kind of smile': About the `Use and Abuse' of Theory in Constructing the Classical Tradition , Freddy Decreus From the Peloponnesian War to the Iraq War: A Post-Liberal Reading of Greek Tragedy , Michiel Leezenberg Western Classics, Indian Classics: Postcolonial Contestations , Harish Trivedi Shades of Multilingualism and Multivocalism in Modern Performances of Greek Tragedy in Post-Colonial Contexts , Lorna Hardwick The Empire Never Ended , Ika Willis Another Architecture , David RichardsUn autre Céline. De la fureur à la féerie. Deux Cahiers de prison (Henri Godard)
Ils liront dans mon âme. Les écrivains face à Dreyfus (Étienne Barilier)
Richesse franciscaine. De la pauvreté volontaire à la société de marché (Giacomo Todeschini)
L'Histoire-caméra (Antoine De Baecque)
La Littérature-monstre. Essai sur la littérature moderne. (Pierre Jourde (dir.))
Notes sur Beckett (Theodor W. Adorno)
Léonard et Machiavel (Patrick Boucheron)
Don Quichotte et les fantômes (Sophie Itturalde)
Proust. Les horreurs de l'amour. (Nicolas Grimaldi)
J. Wolff, The Aesthetics of Uncertainty
Écrire des récits de voyage (XVe - XVIIIe siècles). Esquisse d’une poétique en gestation
S. L. Beckett, Red Riding Hood for All Ages. A Fairy-Tale Icon in Cross-Cultural Contexts
Les Voix de Dieu. Littérature et prophétie en Angleterre et en France à l'âge baroque
E. Huzar, La Fin du monde par la science
S. Agacinski, Le Drame des sexes. Ibsen, Strindberg, Bergman
J. Day (éd.), Violence in French and Francophone Literature and Film
A. Mura-Brunel (éd.), Chevillard, Echenoz. Filiations insolites
H. Védrine et E. Stead (éd), L'Europe des revues (1880-1920).
C. Hähnel-Mesnard et alii (éd.), Culture et mémoire.
J. Roudaut, Les Trois anges. Essai sur quelques citations de A la recherche du temps perdu
J. Ortega y Gasset, L'homme et les gens
T. Swoboda, E. Wierzbowska, O. Wrońska (éd.), Autour de Patrick Chamoiseau
D. Brahimi (éd), Voyageurs dans la régence de Tunis (XVIe-XIXe siècles)