Classics in Post-Colonial Worlds.
Sous la direction de Lorna Hardwick et Carol Gillespie
Oxford: Oxford University Press, coll. "Classical Presences", 2007, xv-422p.
Isbn (ean13): 978-0-19-929610-7.
Compte rendu par Rachel D. Friedman (Vassar College) dans Bryn Mawr Classical Review: 2008.08.05
Présentation de l'éditeur:
Classical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects to become first a means of challenging colonialism and then a rich field for creating cultural identities that blend the old and the new. Nobel prize-winners such as Derek Walcott and Seamus Heaney have rewritten classical material in their own cultural idioms while public sculpture in southern Africa draws on Greek and Roman motifs to represent histories of African resistance and liberation. These developments are explored in this collection of essays by international scholars, who debate the relationship between the culture of Greece and Rome and the changes that have followed the end of colonial empires.
Introduction , Lorna Hardwick
2. Encounter and New Traditions
Perspectives on Post-Colonialism in South Africa: The Voortrekker Monument's Classical Heritage , Richard Evans Imperial Reflections: The Post-Colonial Verse-Novel as Post-Epic , Katharine Burkitt A Divided Child, or Derek Walcott's Post-Colonial Philology , Cashman Kerr Prince Arriving Backwards: The Return of The Odyssey in the English-Speaking Caribbean , Emily Greenwood `If you are a woman': Theatrical Wominizing in Sophocles' Antigone and Fugard, Kani, and Ntshona's The Island , Rush Rehm Finding a Post-colonial Voice for Antigone: Seamus Heaney's Burial at Thebes , Stephen E. Wilmer3. Challenging Theory: Framing Further Questions
`The same kind of smile': About the `Use and Abuse' of Theory in Constructing the Classical Tradition , Freddy Decreus From the Peloponnesian War to the Iraq War: A Post-Liberal Reading of Greek Tragedy , Michiel Leezenberg Western Classics, Indian Classics: Postcolonial Contestations , Harish Trivedi Shades of Multilingualism and Multivocalism in Modern Performances of Greek Tragedy in Post-Colonial Contexts , Lorna Hardwick The Empire Never Ended , Ika Willis Another Architecture , David RichardsM. Belhaj Kacem, Inesthétique et mimésis
M. Deguy, L'état de la désunion
Joris-Karl Huysmans, Écrits sur la littérature
J.-L. Nancy, L'Adoration, Déconstruction du christianisme (2)
A. Herschberg Pierrot (dir.), Savoirs en récits I. Flaubert : la politique, l'art et l'histoire
Bertrandon de la Broquère, Le Voyage d'Orient
A. Giraffi, La Révolution de Naples
M. Yourcenar, Les trente-trois noms de Dieu (rééd.)
E. Vila-Matas, Perdre des théories
J.-P. Martin, Eloge de l'apostat, essai sur la vita nova
A. Schiffrin, L'Argent et les mots
G. Mauger, C. Poliak, B. Pudal, Histoires de lecteurs
E. Marty, Roland Barthes, la littérature et le droit à la mort
J. Porée et G. Vincent (dir.), Paul Ricoeur, la pensée en dialogue
J. Herman et alii (dir.), L'Assiette des fictions. Enquêtes sur l'autoréflexivité romanesque
M. Traversier, Gouverner l'opéra. Une histoire politique de la musique à Naples 1767-1815
R. Pommier, René Girard. Un allumé qui se prend pour un phare
Marcel Proust, Cahier 71 "Dux" (2 vol.)