
ALTMAN, Rick, A Theory of Narrative, New York, Columbia University Press, 2008, 392 p.
ISBN 978-0-231-14429-2
RÉSUMÉ
Narrative is a powerful element of human culture, storing and sharing
the cherished parts of our personal memories and giving structure to
our laws, entertainment, and history. We experience narrative in words,
pictures, and film, yet regardless of how the tale is told, story
remains independent from the media that makes it concrete. Narrative
follows humans wherever they travel and adapts readily to new forms of
communication. Constantly evolving and always up-to-date, narrative is
a necessary strategy of human expression and a fundamental component of
human identity.
In order to understand human interaction,
award-winning scholar Rick Altman launches a close study of narrative's
nature, its variation in different contexts, and the method through
which it makes meaning. Altman's approach breaks away from traditional
forms of analysis, identifying three basic strategies: single-focus,
dual-focus, and multiple-focus. Unpacking an intentionally diverse
selection of texts, Altman demonstrates how these strategies function
in context and illustrates their theoretical and practical applications
in terms of textual analysis, literary and film history, social
organization, religion, and politics. He employs inventive terminology
and precise analytical methods throughout his groundbreaking work,
making this volume ideal for teaching literary and film theory and for
exploring the anatomy of narrative on a more general level.
BIOGRAPHIE
Rick Altman is professor of cinema and comparative literature at the
University of Iowa. Among his many titles on film is Columbia
University Press's Silent Film Sound, which won the Limina Award for
Best Cinema Studies book, the Theater Library Association Award, and
was a finalist for the Kraszna-Krausz Book Award.
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La Tentation de l'impossible. Victor Hugo et les Misérables (Mario Vargas Llosa)
L'iconographie médiévale (Jérôme Baschet)
Camille Claudel. De la vie à l'oeuvre. Regards croisé (Silke Schauder)
Emile Benveniste: l'invention du discours (Gérard Dessons)
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