
![]()
Hilary P. DANNENBERG
Coincidence and Counterfactuality. Plotting Time and Space in Narrative Fiction
Lincoln, University of Nebraska Press (Frontiers of Narrative Series), 2008, 304 p.
978-0-8032-1093-6
RÉSUMÉ
In Coincidence and Counterfactuality, a groundbreaking analysis of plot, Hilary P. Dannenberg sets out to answer the perennial question of how to tell a good story. While plot is among the most integral aspects of storytelling, it is perhaps the least studied aspect of narrative. Using plot theory to chart the development of narrative fiction from the Renaissance to the present, Dannenberg demonstrates how the novel has evolved over time and how writers have developed increasingly complex narrative strategies that tap into key cognitive parameters familiar to the reader from real-life experience.
Dannenberg proposes a new, multidimensional theory for analyzing time and space in narrative fiction, then uses this theory to trace the historical evolution of narrative fiction by focusing on coincidence and counterfactuality. These two key plot strategies are constructed around pivotal moments when characters' life trajectories, or sometimes the paths of history, converge or diverge. The study's rich historical and textual scope reveals how narrative traditions and genres such as romance and realism or science fiction and historiographic metafiction, rather than being separated by clear boundaries are in fact in a continual process of interaction and cross-fertilization. In highlighting critical stages in the historical development of narrative fiction, the study produces new readings of works by pinpointing the innovative role played by particular authors in this evolutionary process. Dannenberg's original investigation of plot patterns is interdisciplinary, incorporating research from narrative theory, cognitive approaches to literature, social psychology, possible worlds theory, and feminist approaches to narrative.
BIOGRAPHIE
Hilary P. Dannenberg is a professor of English studies and Anglophone literatures at the University of Bayreuth in Germany.
Revue Médium n°16-17 : L'Argent maître (Sous la direction de Régis Debray)
Oroonoko prince et esclave. Roman colonial de l'incertitude (Jean-Frédéric Schaub)
Romantisme et révolutions. Les entretiens de la Fondation des Treilles. (Daniel Couty & Robert Kopp)
Furetière. La démocratisation de la langue (François Ost)
L'Empire des émotions. Les historiens dans la mêlée (Christophe Prochasson)
Petit panthéon portatif (Alain Badiou)
La Tentation de l'impossible. Victor Hugo et les Misérables (Mario Vargas Llosa)
L'iconographie médiévale (Jérôme Baschet)
Camille Claudel. De la vie à l'oeuvre. Regards croisé (Silke Schauder)
M. L. Wilkinson, Antigone's Daughters. Gender, Family, and Expression in the Modern Novel
J. Robinson, Deeper than Reason. Emotion and its Role in Literature, Music, and Art
A. Kelly, A Referential Commentary and Lexicon to Homer, Iliad VIII
Jim Powell (trad.), The Poetry of Sappho
D. Elmiger, La Féminisation de la langue en Français et en Allemand
I. Handy, Musiciens au temps des derniers Valois (1547-1589)
P.-Louis Courier et alii, Pamphlétaires et ironistes du XIXe siècle
M.-A. Michaux, Glossaire des termes militaires du XVIe siècle
A. Suberchichot, Moby-Dick : Désigner l'absence
M. Schmid, Proust dans la décadence
C. Vaissié, Les Ingénieurs des âmes en chef. Littérature et politique en URSS (1944-1986)
P. Popovic, Imaginaire social et folie littéraire - Le second Empire de Paulin Gagne
D. de Casabianca, Montesquieu : de l'étude des sciences à l'esprit des lois
G. Bridet, Littérature et sciences humaines : autour de Roger Caillois