

Literatures in the Digital Era: Theory and Praxis
Sous la direction d'Amelia Sanz et Dolores Romero
Cambridge Scholars Publishing
Présentation de l'éditeur :
The
application of technology to information, communication, and culture
has been through the history of humanity a key factor in social
progress and well being. Literatures in the Digital Era: Theory and
Praxis analyses in its twenty chapters the impacts of digital
technology for the contemporary culture. The literary system is being
powerfully affected in three aspects. In the first place, computer
resources have been used to preserve and edit literary texts,
associating to them graphical material, links with related texts or
with dictionaries, and, above all, developing search tools of
concordance and syntactic/semantic analysis. Secondly, we are watching
the birth of a digital literature, with new generic characteristics,
new creators, with knowledge of both, technological mechanisms and
literary resources, and a reader capable of interpreting and enjoying
texts on the screen. Thirdly, literary theory has expressed new
postulates with regard to the multiple authorship of digital texts, the
disintegration of the textual meaning, the intertextuality and
implications of the reader in the creation process and the
interpretation of the texts. These three impacts imply, for some
authors, the search of a new paradigm for the creation, reading, and
interpretation of digital texts, which points to a new humanism.
The
editors, Amelia Sanz and Dolores Romero are both lecturers at
Universidad Complutense de Madrid, Spain. Dr. Sanz has developed
theoretical reflections on key concepts of twentieth century critical
theory, such as intertextuality, systemic approaches, interculturality
and hypertextuality. She is coordinator of the research group
“Literaturas Españolas y Europeas del Texto al Hipertexto” (LEETHI) and
director of the E-learning Programme at the Faculty of Arts of the
Complutense University of Madrid. Dolores Romero has published the
following books: Orientaciones en Literatura Comparada (1998), Una
relectura del fin de siglo en el marco de la Literatura Comparada
(1998), Naciones literarias (2006) and Seis siglos de poesía española
escrita por mujeres (2006). She is Chair of the Research Committee on
“Comparative Literature in the Digital Age” (CLDA) of the International
Comparative Literature Association (ICLA) and the Vice-president of the
International Commission on UNESCO-EOLSS “Comparative Literature in the
Digital Age”.
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