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A. Kimyongür, A. Wigelsworth (dir.), Rewriting Wrongs. French Crime Fiction and the Palimpsest

A. Kimyongür, A. Wigelsworth (dir.), Rewriting Wrongs. French Crime Fiction and the Palimpsest

Publié le par Perrine Coudurier

Référence bibliographique : A. Kimyongür, A. Wigelsworth (dir.), Rewriting Wrongs. French Crime Fiction and the Palimpsest, Cambridge Scholars Publishing, 2017. EAN13 : 9781443861335.

 

Rewriting Wrongs. French Crime Fiction and the Palimpsest

 

Sous la direction d'Angela Kimyongür, Amy Wigelsworth

Newcastle upon Tyne : Cambridge Scholars Publishing, 2014

EAN 9781443861335

Prix 47,99£

Présentation :

Rewriting Wrongs: French Crime Fiction and the Palimpsest furthers scholarly research into French crime fiction and, within that broad context, examines the nature, functions and specificity of the palimpsest. Originally a palaeographic phenomenon, the palimpsest has evolved into a figurative notion used to define any cultural artefact which has been reused but still bears traces of its earlier form. In her 2007 study The Palimpsest, Sarah Dillon refers to “the persistent fascination with palimpsests in the popular imagination, embodying as they do the mystery of the secret, the miracle of resurrection and the thrill of detective discovery”. In the context of crime fiction, the palimpsest is a particularly fertile metaphor. Because the practice of rewriting is so central to popular fiction as a whole, crime fiction is replete with hypertextual transformations. The palimpsest also has tremendous extra-diegetic resonance, in that crime fiction frequently involves the rewriting of criminal or historical events and scandals. This collection of essays therefore exemplifies and interrogates the various manifestations and implications of the palimpsest in French crime fiction.