


Gill PLAIN et Susan SELLERS (dir.), A History of Feminist Literary Criticism, Cambridge, Cambridge University Press, 2007, 364 p.
ISBN-13 9780521852555
RÉSUMÉ
Feminism has transformed the academic study of literature,
fundamentally altering the canon of what is taught and setting new
agendas for literary analysis. In this authoritative history of
feminist literary criticism, leading scholars chart the development of
the practice from the middle ages to the present. The first section of
the book explores protofeminist thought from the middle ages onwards,
and analyses the work of pioneers such as Wollstonecraft and Woolf. The
second section examines the rise of second wave feminism and maps its
interventions across the twentieth century. A final section examines
the impact of postmodernism on feminist thought and practice. This book
offers a comprehensive guide to the history and development of feminist
literary criticism and a lively reassessment of the main issues and
authors in the field. It is essential reading for all students and
scholars of feminist writing and literary criticism.
TABLE DES MATIÈRES
Introduction Gill Plain and Susan Sellers; Part I. Pioneers and
Protofeminism: Introduction Gill Plain; 1. Medieval feminist criticism
Carolyn Dinshaw; 2. Feminist criticism in the Renaissance and
seventeenth century Helen Wilcox; 3. Mary Wollstonecraft and her legacy
Susan Manly; 4. The feminist criticism of Virginia Woolf Jane Goldman;
5. Simone de Beauvoir and the demystification of woman Elizabeth
Fallaize; Part II. Creating a Feminist Literary Criticism: Introduction
Gill Plain and Susan Sellers; 6. Literary representations of women Mary
Eagleton; 7. A history of women's writing Helen Carr; 8. Autobiography
and personal criticism Linda Anderson; 9. Black feminist criticism
Arlene Keizer; 10. Lesbian feminist criticism Caroline Gonda; 11. Men
in feminism Calvin Thomas; Part III. Poststructuralism and Beyond:
Introduction Gill Plain and Susan Sellers; 12. Feminist criticism and
poststructuralism Claire Colebrook; 13. Feminist criticism and
psychoanalysis Madelon Sprengnether; 14. French feminist criticism and
writing the body Judith Still; 15. Postcolonial feminist criticism
Chris Weedon; 16. Feminist criticism and queer theory Heather Love; 17.
Feminist criticism and technologies of the body Stacy Gillis;
Postscript: flaming feminism? Susan Gubar; Bibliography.
A. Alciato, Il libro degli Emblemi, secondo le edizioni del 1531 e del 1534
Marc Azéma, La Préhistoire du cinéma
I. Mons, Lou Andreas-Salomé. En toute liberté
N. Redouane, Lecture(s) de Rachid Mimouni
Chr. Martin (dir.), Fictions de l'origine (1650-1800)
C. Meyer-Plantureux, Romain Rolland - Théâtre et engagement
C. Aliberti, Du spasme existentiel à la quête de rédemption
M. Kadima-Nzuji, Théâtre et destin national au Congo-Kinshasa - 1965-1990
Jean-Yves Tadié, Le lac inconnu - Entre Proust et Freud
N. Frogneux (dir)., J. Patocka. Liberté, existence et monde commun
Verlaine, Romances sans paroles (éd. Arnaud Bernadet)
Sandrine Dubel et Alain Montandon (dir.), Mythes sacrificiels et ragoûts d'enfants
Jules Verne, Voyages extraordinaires (éd. J.-L. Steinmetz)
T. Karsenti, Le Mythe de Troie dans le théâtre français (1562-1715)
J. Verne, Les Enfants du capitaine Grant – Vingt mille lieues sous les mers
S. Courant, Approche anthropologique des écritures de voyage
M. Bandello, Novelle / Nouvelles III, 2e part., VI-XXXVIII
J. Pigeaud, Les Loges de Philostrate
L. Bolard, Le voyage et le séjour des peintres en Italie au XVIIe s.
J. N. Bremmer, La religion grecque (rééd.)
H. M. Enzensberger, Culture ou mise en condition ?
Diderot, Est-il bon? Est-il méchant?, éd. P. Frantz (FolioThéâtre)